Found: 45 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Dimitri Papadimitriou, An exploration of the key characteristics in Beethoven's Piano Sonatas and selected instrumental repertoire (DMusPerf, Royal Irish Academy of Music, 2013).  Thesis submission ID 455, last updated
 

Desmond Earley, French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720) (DMusPerf, Royal Irish Academy of Music, 2012).  Thesis submission ID 454, last updated
 

Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 463, last updated
 

Imelda Theresa Drumm, Roles for Leading Ladies: Investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing (DMusPerf, Royal Irish Academy of Music, 2017).  Thesis submission ID 891, last updated
 

Marie-Charline Foccroulle, Final Thoughts? Interpretation of the First Movements of Beethoven’s and Schubert’s Last Three Piano Sonatas (DMus, Royal Irish Academy of Music, 2017).  Thesis submission ID 442, last updated
 

Mark Keane, Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615) (DMus, Royal Irish Academy of Music, 2019).  Thesis submission ID 897, last updated
 

Karol Mullaney-Dignam, State, nation and music in independent Ireland, 1922-51 (PhD, NUI Maynooth, 2008).  Thesis submission ID 376, last updated
 

Owen Gilhooly, The Vocal Music of Thomas Roseingrave (DMus, Royal Irish Academy of Music, in progress).  Thesis submission ID 795, last updated
 

Deirbhile Brennan, Exploring the attitudes and preferences of an Irish audience towards classical music and its performance (MA, Royal Irish Academy of Music, 2013).  Thesis submission ID 759, last updated
 

Thomas Charles Marshall, The music theory of Satsuma biwa as taught by Yoshinori Fumon (Other, Royal Irish Academy of Music, 2012).  Thesis submission ID 467, last updated
 

Nadene Fiorentini, Between technical brilliance and musical substance: Robert Schumann's Piano concerto in A minor, op 54 (1845) (Other, Royal Irish Academy of Music, 2012).  Thesis submission ID 462, last updated
 

Yue Tang, Three milestones: an examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory (MA, Royal Irish Academy of Music, 2012).  Thesis submission ID 461, last updated
 

Ruth Stanley, Joan Trimble (1915-2000) and the Issue of her 'Irish' Musical Identity (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 846, last updated
 

Gavan Ring, The Schola Cantorum at St Finian's College: a historical account and an examination of its impact on church music in Ireland from 1970-2010 (MA, Royal Irish Academy of Music, 2010).  Thesis submission ID 841, last updated
 

Patrick FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003).  Thesis submission ID 358, last updated
 

Patrick FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003).  Thesis submission ID 352, last updated
 

Jennifer O Connor, The Role of Women in Music in Nineteenth-Century Dublin (PhD, NUI Maynooth, 2010).  Thesis submission ID 129, last updated
 

Lisa Parker, Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin (PhD, NUI Maynooth, 2009).  Thesis submission ID 118, last updated
 

Lisa Parker, Robert Prescott Stewart (1825-1894): an assessment of his compositions and contribution to musical life in Dublin (MA, NUI Maynooth, 2000).  Thesis submission ID 807, last updated
 

Catherine Ferris, The music of three Dublin musical societies of the late eighteenth and nineteenth centuries: The Anacreontic Society, The Antient Concerts Society and The Sons of Handel. A descriptive catalogue (MLitt, NUI Maynooth, 2005).  Thesis submission ID 800, last updated