Found: 88 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Jillian Bridge, A study and survey of creativity in the piano lesson and its significance within the examination syllabi in Ireland (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 445, last updated
 

A. Paul McKeever, Aspects of Organ-Building in Ireland in the Nineteenth Century, referencing White, Telford, and Post-Emancipation Choral Practice (PhD, University of Limerick, 2012).  Thesis submission ID 443, last updated
 

Ian Curran, Late Nineteenth- and Early Twentieth-Century Catholic Church Music Reform and its Impact on Ireland (MA, Mary Immaculate College, University of Limerick, 2007).  Thesis submission ID 433, last updated
 

Michelle Cox, ‘What Next’: Exploring the Potential Long-Term and Short-Term Educational Benefits of Outreach Music Composition Projects in Irish Primary Schools (MA, Mary Immaculate College, University of Limerick, 2006).  Thesis submission ID 432, last updated
 

Gwen Moore, Exploring the Relevance of Multicultural Music Education to Contemporary Irish Society with Particular Reference to the Experiences and Attitudes of Second Level Music Teachers (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 431, last updated
 

Maria Buckley, Music Education in an Irish Context: Perspectives on Musical and Pedagogical Implications of the 1999 Curriculum for Primary Teachers (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 430, last updated
 

Stephen G. Condon, Assessing the Value of Music Technology in the Irish Primary School: A Case Study Approach in a Disadvantaged Context (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 429, last updated
 

Ruth Stanley, Joan Trimble (1915-2000) and the Issue of her 'Irish' Musical Identity (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 428, last updated
 

Una Feehan, The Correlation between the Decline of the Religious Orders and the Decline of Music in Secondary Schools (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 427, last updated
 

Orla Hilton, In Tune with their Emotions: An Evaluation of the Effectiveness and Use of Music in the Emotional Development of Children with Special Needs (MA, Mary Immaculate College, University of Limerick, 2000).  Thesis submission ID 426, last updated
 

Niamh Waldron, A Collaborative Study to Enhance the Musical Development of Young Children (MEd, Mary Immaculate College, University of Limerick, 1999).  Thesis submission ID 425, last updated
 

Eri Hirabayashi, The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji (PhD, University of Limerick, 2010).  Thesis submission ID 391, last updated
 

Anthony Thomas McCann, Beyond the commons : the expansion of the Irish Music Rights Organisation, the elimination of uncertainty, and the politics of enclosure (PhD, University of Limerick, 2002).  Thesis submission ID 389, last updated
 

Ian R. O’Keeffe, Creation and investigation of an interactive system for the emotive transformation of music (PhD, University of Limerick, 2008).  Thesis submission ID 387, last updated
 

Helen Frances Phelan, Laus Perennis : the emergence of a theology of music with reference to Post-Vatican II Irish Catholicism (PhD, University of Limerick, 2000).  Thesis submission ID 385, last updated
 

Desmond John Wilkinson, The world of traditional dance music in Brittany : an exploration of the political, cultural and socio-economic reality of traditional dance music in Brittany 1992-1999 (PhD, University of Limerick, 1999).  Thesis submission ID 382, last updated
 

Jessica Cawley, Pub Sessions as Means of Transmission in Traditional Irish Music: The Public Acquisition of Technical Skills and Repertoire on the Irish Flute (MA, University of Limerick, 2008).  Thesis submission ID 375, last updated
 

Susan Motherway, Mediating the Divide: The Globalisation of Irish Traditional Song Performance (PhD, University of Limerick, 2008).  Thesis submission ID 369, last updated
 

Mary Louise O Donnell, Custodians of Culture: A Social, Musicological and Cultural History of the Irish Harp and its Patronage from 1790-1840 (PhD, University of Limerick, in progress).  Thesis submission ID 364, last updated
 

Niall Crowley, An Analysis of Arvo Part's 'Litany' (MA, Mary Immaculate College, University of Limerick, 2004).  Thesis submission ID 332, last updated
 

Andrea Intveen, Discovering Anthroposophical Music Therapy: An Investigation of its Origins and Applications (PhD, University of Limerick, 2011).  Thesis submission ID 317, last updated
 

Anna Maria Dore, How Can I Keep From Singing?: Enya and the Female Myth of Ireland (MA, University of Limerick, 2003).  Thesis submission ID 295, last updated
 

Desi Wilkinson, The World of traditional dance music in Britanny (PhD, University of Limerick, 1999).  Thesis submission ID 241, last updated
 

Johnny McCarthy, Music and mythology in the Sliabh Luacra tradition (MA, University of Limerick, 1999).  Thesis submission ID 240, last updated
 

Elizabeth Magner, The Irish language in primary education: pedagogical aspects of the application of songs in the teaching of IrishMary Immaculate College, University of Limerick, 1998).  Thesis submission ID 230, last updated