Found: 45 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
Enter keywords, names, or other terms in the filter below to search the whole database. Alternatively, list theses according to particular institutions, or degree qualification, or general specialism.
Filter: fulltext search for keywords, author, etc.:

Deirbhile Brennan, A performer's exploration of aspects of selected nineteenth-century solo piano works by female composers: Schumann, Chaminade and Beach (DMusPerf, Royal Irish Academy of Music, 2024).  Thesis submission ID 968, last updated
 

Máire Carroll, A twentieth- and twenty-first-century piano étude soundworld : obsessions and self-portraiture in Philip Glass's Twenty Piano Études (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 966, last updated
 

Conor Linehan, Orchestrations of French piano music of the late nineteenth and early twentieth centuries: a pianist's perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 965, last updated
 

Didzis Kalninš, An investigation of Janis Medinš’s Piano Sonata (1946): historical context, analysis, editing and performance (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 948, last updated
 

Molly Adams-Toomey, Communicating meaning in Petr Eben's Písne nelaskavé: a performance perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 949, last updated
 

Pedro Lopez Lopez, A study of Teatro de los Caños del Peral within the European framework (1787-1799): performing conditions of Italian opera and ballet d'action in late eighteenth-century Madrid (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 794, last updated
 

Adrian Mantu, Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016 (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 946, last updated
 

Billy O'Brien, 'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 927, last updated
 

Madeline Judge, Alan Louis Smith's Vignettes: Covered Wagon Woman: a historical and musical analysis from a performer's perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 926, last updated
 

Soo-Jung Ann, Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in E flat major, Op. 35 (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 943, last updated
 

Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 924, last updated
 

Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 923, last updated
 

Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 785, last updated
 

Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021).  Thesis submission ID 938, last updated
 

Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021).  Thesis submission ID 934, last updated
 

Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music, in progress).  Thesis submission ID 928, last updated
 

Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020).  Thesis submission ID 925, last updated
 

Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 916, last updated
 

Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018).  Thesis submission ID 917, last updated
 

Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 424, last updated
 

Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020).  Thesis submission ID 922, last updated
 

William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019).  Thesis submission ID 915, last updated
 

Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music, 2009).  Thesis submission ID 361, last updated
 

Annette Cleary, The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance (DMusPerf, Royal Irish Academy of Music, 2010).  Thesis submission ID 367, last updated
 

Orla Flanagan, Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral (DMusPerf, Royal Irish Academy of Music, 2012).  Thesis submission ID 438, last updated