Found: 41 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Enter keywords, names, or other terms in the filter below to search the whole database. Alternatively, list theses according to particular institutions, or degree qualification, or general specialism.
Emma
Arthur, Art Music and Music Education in Irish Convent Schools, 1830-1900: A Preliminary Survey and Interpretation of the Primary Sources (MMus, University College Dublin, 2023). Thesis submission ID 955, last updatedAlan
Dunne, A portfolio of six original compositions and detailed analysis (MA, Waterford Institute of Technology, 2012). Thesis submission ID 724, last updatedFintan
Vallely, Flute routes to 21st century Ireland: The history, aesthetics and social dynamics of three centuries of recreational and political music (PhD, University College Dublin, 2004). Thesis submission ID 618, last updatedDara
McGarrigle, Irish women and traditional music (MA, University College Dublin, 2006). Thesis submission ID 616, last updatedJohn
Bates, Mining for gold: A usability study of the Irish Traditional Music Archive and interactive music archive access system (MA, University College Dublin, 2008). Thesis submission ID 609, last updatedAisling
Connolly, RTÉ Sound Archives: A story untold (MA, University College Dublin, 2010). Thesis submission ID 607, last updatedChristopher
MacAuliffe, The forgotten voice: The Richard Henebry (1863-1916) collection of Irish music (MA, Waterford Institute of Technology, 2012). Thesis submission ID 589, last updatedKarishmeh
Felfeli, Music Theory, Tonality and Postcolonial Ireland (MA, University College Dublin, in progress). Thesis submission ID 450, last updatedGeraldine
Nolan Spada, Portfolio of compositions with critical commentary (MLitt, University College Dublin, 1999). Thesis submission ID 844, last updatedGeraldine
Nolan Spada, A portfolio of original compositions for symphony orchestra and chamber group & thesis: 'Compositional Philosophy and the Musical Idea' (PhD, University College Dublin, 2008). Thesis submission ID 447, last updatedMajella
Boland, John Field in Context: a Reappraisal of the Nocturne and Piano Concerti (PhD, University College Dublin, 2013). Thesis submission ID 444, last updatedRebecca
Shannon, In the Shadow of Genius: 'Borrowing' and the Anxiety of Influence in Musicology (MA, University College Dublin, 2010). Thesis submission ID 372, last updatedAngela
Moran, Representing the Black ‘Other’: Issues of Race and Gender in Screen Versions of Bizet's Carmen (MA, University College Dublin, 2007). Thesis submission ID 832, last updatedMary Louise
O Donnell, The Anglicisation of the Irish Harp: A History of the Irish Harp from 1800 to the Present Day (MA, University College Dublin, 1999). Thesis submission ID 831, last updatedFrank
Lawrence, An Irish Gradual of the Twelfth Century - Oxford, Bodleian Library, MS. Rawl. C. 892: A Palaeographical, Liturgical and Repertorial Study (PhD, University College Dublin, 2008). Thesis submission ID 330, last updatedDonal
Mac Erlaine, The Philo-Semitism of Dmitri Shostakovich: Identifying the Jewish Works (Other, University College Dublin, 2004). Thesis submission ID 325, last updatedJohn
Cunningham, Un-masquing English Opera: Locke and Shirley's Cupid and Death (MA, University College Dublin, 2001). Thesis submission ID 828, last updatedJohanne
Heraty, "A Tone is a Living Cell": Ruth Crawford Seeger and Early American Modernism (MA, University College Dublin, 2005). Thesis submission ID 314, last updatedJohanne
Heraty, The Microtonal Music of Ezra Sims (PhD, University College Dublin, in progress). Thesis submission ID 826, last updatedFrank
Lawrence, An Irish Gradual of the Twelfth Century - Oxford, Bodleian Library, MS. Rawl. C. 892: A Palaeographical, Liturgical and Repertorial Study (PhD, University College Dublin, in progress). Thesis submission ID 296, last updatedFy
Gadiot, German or Irish Soundscapes? Musical Mediation in Nazi-German Film (MA, University College Dublin, 2007). Thesis submission ID 294, last updatedMary Louise
O’Donnell, The harp in Irish music, 1770-1970 (MA, University College Dublin, 1999). Thesis submission ID 234, last updatedGeraldine
Nolan Spada, Portfolio of compositions with critical commentary (MLitt, University College Dublin, 1999). Thesis submission ID 233, last updatedDeborah
Kelleher, Contemporary opera as drama: Joseph Kerman, Philip Glass and ‘Satyagraha’ (1980) (MA, University College Dublin, 1997). Thesis submission ID 196, last updatedCatherine
Jackson, Observations on Heinrich Schütz and the polychoral style, with particular reference to the individual psalms SWV 473 and SWV 461 (MA, University College Dublin, 1996). Thesis submission ID 195, last updated