Found: 817 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Candace Whitehead, Conducting (MA, Cork Institute of Technology, School of Music, 2005).  Thesis submission ID 623, last updated
 

Terry McCarthy, Conducting (MA, Cork Institute of Technology, School of Music, 2004).  Thesis submission ID 622, last updated
 

Willie Hughes, Cultural collision and the emergence of new musical traditions (MA, Dublin City University, 2000).  Thesis submission ID 621, last updated
 

Marie Girardeau, L’Uilleann pipes, cornemuse Irlandaise: Caractéristiques de jeu et répertoire (MA, Université de Poitiers, 2004).  Thesis submission ID 620, last updated
 

Helen O’Shea, Foreign bodies in the river of sound: Seeking identity and Irish traditional music (PhD, Victoria University, Melbourne, 2005).  Thesis submission ID 619, last updated
 

Fintan Vallely, Flute routes to 21st century Ireland: The history, aesthetics and social dynamics of three centuries of recreational and political music (PhD, University College Dublin, 2004).  Thesis submission ID 618, last updated
 

James O’Brien Moran, Paddy Conneely - the Galway piper: The legacy of a pre-famine folk musician (PhD, University of Limerick, 2006).  Thesis submission ID 617, last updated
 

Dara McGarrigle, Irish women and traditional music (MA, University College Dublin, 2006).  Thesis submission ID 616, last updated
 

Deborah L. Rapuano, Every drop hollows the stone : An ethnographic study of traditional Irish music pub sessions (PhD, Loyola University Chicago, 2005).  Thesis submission ID 615, last updated
 

John Moulden, The printed ballad in Ireland: A guide to the popular printing of songs in Ireland 1760–1920 (PhD, NUI Galway, 2006).  Thesis submission ID 614, last updated
 

Jerry Kerlin, The transmission of song among the New York Irish: Teaching, learning, and Irish sensibility (PhD, New York University, 2005).  Thesis submission ID 613, last updated
 

Sheaukang Hew, Irish music in central Oklahoma: An ethnographic study (Doctor of Musical Arts, University of Oklahoma, 2006).  Thesis submission ID 612, last updated
 

Michael D. Nicholsen, ‘Auld sod’ and new turf: Entertainment, nationalism, and identity in the Irish traditional music community of Chicago, 1868–1999 (PhD, Loyola University Chicago, 2007).  Thesis submission ID 611, last updated
 

Kieran Patrick Brown, The political use of song lyric and verse in Irish nationalism 1900–1916 (MA, California State University, 2008).  Thesis submission ID 610, last updated
 

John Bates, Mining for gold: A usability study of the Irish Traditional Music Archive and interactive music archive access system (MA, University College Dublin, 2008).  Thesis submission ID 609, last updated
 

Leah Clarke, A critical edition of manuscripts NLI mss 7259–60 from the Henry P. Hudson collection (BA, Waterford Institute of Technology, 2008).  Thesis submission ID 608, last updated
 

Aisling Connolly, RTÉ Sound Archives: A story untold (MA, University College Dublin, 2010).  Thesis submission ID 607, last updated
 

Donna Thurston, Irish music in Wellington: A study of a local music community (MA, Other, 2010).  Thesis submission ID 606, last updated
 

Dan Milner, The coalesence of the American popular song idiom: New York, 1820 (MA, Other, 2009).  Thesis submission ID 605, last updated
 

A. Trotter, Tap dance : The lost art form regained (BA, Other, 2010).  Thesis submission ID 604, last updated
 

Scott Spencer, The piper calls the tune: How uilleann bagpipers averted obsolescence through technology, networks and community (PhD, New York University, 2010).  Thesis submission ID 603, last updated
 

Roxanne O’Connell, The golden age of Irish music: The cultural impact of 78 rpm recordings in Ireland and Irish America 1900–1960 (PhD, Salve Regina University, Newport, Rhode Island, 2010).  Thesis submission ID 602, last updated
 

Stacie Lee Rossow, The choral music of the Irish composer Michael McGlynn (Doctor of Musical Arts, University of Miami, 2010).  Thesis submission ID 601, last updated
 

Breandán Ó Nualltáin, Community authorship: An exploration of the copyright bargain in traditional Irish music (MA, University of Limerick, 2008).  Thesis submission ID 600, last updated
 

Tes Slominski, Music, gender, and the public sphere in twentieth-century Ireland (PhD, New York University, 2010).  Thesis submission ID 599, last updated