Found: 818 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Damian Evans, The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present (PhD, Dublin Institute of Technology, 2016).  Thesis submission ID 796, last updated
 

Owen Gilhooly, The Vocal Music of Thomas Roseingrave (DMus, Royal Irish Academy of Music, in progress).  Thesis submission ID 795, last updated
 

Emma O Toole, Music in the Irish Primary School (BA, University of Limerick, 2016).  Thesis submission ID 793, last updated
 

Steven Yi, Extensible Computer Music Systems (PhD, NUI Maynooth, 2016).  Thesis submission ID 792, last updated
 

Bryan Whitelaw, Franz Liszt's Piano Sonata in B Minor: Context, Analysis and Hermeneutics (MPhil, Queen’s University Belfast, 2016).  Thesis submission ID 790, last updated
 

John Brendan McCloskey, inGrid: A new tactile, tangible and accessible digital musical instrument for enhanced creative independence amongst musicians with quadriplegic cerebral palsy (PhD, University of Ulster, 2014).  Thesis submission ID 789, last updated
 

Bridget Knowles, An Investigation of Tessitura and Affect in Handel’s Operatic Contralto Roles (MA, Cork Institute of Technology, School of Music, in progress).  Thesis submission ID 788, last updated
 

Bridget Knowles, The piano concertos of J.B. Cramer with editions of Concerto no.1 op.10 and Concerto No.6 op.51 (MA, University College Cork, 1993).  Thesis submission ID 856, last updated
 

Francis Ward, Processes of Transmission in Irish Traditional Music: Apporaching a Virtual Orality (PhD, University of Limerick, 2016).  Thesis submission ID 787, last updated
 

Mark Bollard, Process and Transformation: Creative Applications of Digital Exemplars in the Music of Aloys Fleischmann (1910–1992) (MA, Dundalk Institute of Technology, 2016).  Thesis submission ID 786, last updated
 

Aine Mangaoang, Dangerous Mediations: YouTube, Pop Music and Power in a Philippine Prison Video (PhD, University of Liverpool, 2014).  Thesis submission ID 784, last updated
 

Gwen Moore, Ideology, Musical Value and Unequal Opportunity: Backgrounds, Assumptions and Experiences of Students and Lecturers in Irish Higher Education (PhD, University of London, 2013).  Thesis submission ID 783, last updated
 

Gwen Moore, Exploring the Relevance of Multicultural Music Education to Contemporary Irish Society with Particular Reference to the Experiences and Attitudes of Second Level Music Teachers (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 854, last updated
 

Kenneth McDonald, The final frontier. Time and space: a drummer's perspective (Other, Dublin Institute of Technology, 2012).  Thesis submission ID 782, last updated
 

Caoimhe Kearins, Mouth Music in Traditional Irish Music: An exploration of the art form of Lilting from the perspective of performers (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 781, last updated
 

John Blake, The Role of the Recording Studio in Irish Traditional Music (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 780, last updated
 

Catrina Scullion, Expressionism and psychological disintegration in Schoenberg's 'Erwartung' (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 779, last updated
 

Julian Pusca, The Pan Flute: Origins, Instruments and Repertoire (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 778, last updated
 

Michael Barkley, Miles Davis and the transition from bebop to cool jazz: A historic and stylistic examination (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 777, last updated
 

Joan Shields, 'Deep Song': Singing from the Margins. Billie Holiday's Style and its Location within Jazz (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 776, last updated
 

Robert Linehan, The Songs of Frank Bridge: Striking at the Roots of Tonality (Other, Queen’s University Belfast, 2013).  Thesis submission ID 775, last updated
 

Bríd Ní Ghruagáin, Guidelines on the pronunciation of Irish in Twentieth and Twenty-first Century Classical Song (MA, Dublin Institute of Technology, 2013).  Thesis submission ID 774, last updated
 

Joan Butler, The Opera 'Shamus O'Brien' by C.V. Stanford: Concept, Analysis and Cultural Context (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 773, last updated
 

Clare McCague, Suite for Harp op.83 by Benjamin Britten: A Performer's Perspective (BA, Dublin Institute of Technology, 2013).  Thesis submission ID 772, last updated
 

Jennifer Davis, 'Carnival': The Figure of the 'She-male' in Opera (Other, Dublin Institute of Technology, 2013).  Thesis submission ID 771, last updated