Browse and search the register

Deirdre Dolan, The piano ballades of Fryderyk Chopin and Johannes Brahms (MA, NUI Maynooth, 2001).  Thesis submission ID 697, last updated 21/01/2014 - 10:14
 

James Byrne, Structural elements in the chamber music of Maurice Ravel (1875-1937) (MA, NUI Maynooth, 2001).  Thesis submission ID 696, last updated 21/01/2014 - 10:10
 

David T. Stalling, An exploration of spatial aspects of composition in 20th century music (MA, NUI Maynooth, 2002).  Thesis submission ID 695, last updated 21/01/2014 - 10:08
 

Conal Rae, Casticismo, Joaquin Rodrigo, and the Spanish contribution to European music, 1814-1954 (MA, NUI Maynooth, 2002).  Thesis submission ID 694, last updated 21/01/2014 - 10:05
 

Clíona McDonough, The history of the Stabat mater dolorosa, with a critical analysis of the Stabat mater by Gioachino Rossini (MA, NUI Maynooth, 2002).  Thesis submission ID 693, last updated 21/01/2014 - 10:03
 

Sinéad Dooley, Rimsky-Korsakov and the legend of the invisible city of Kitezh (MA, NUI Maynooth, 2002).  Thesis submission ID 692, last updated 21/01/2014 - 09:53
 

David M. Curran, Totally natural: Staged authenticity, art and a requirement for perfect details in the music industry (MA, NUI Maynooth, 2002).  Thesis submission ID 691, last updated 21/01/2014 - 09:50
 

Brian Quigley, The music of Barry Guy (MA, NUI Maynooth, 2003).  Thesis submission ID 690, last updated 21/01/2014 - 09:39
 

Méabh O’Reilly, The aesthetics and compositional methods of Luciano Berio: An exploration of the music and text of Laborintus II (MA, NUI Maynooth, 2003).  Thesis submission ID 689, last updated 21/01/2014 - 09:36
 

Mark Keane, The life and works of Bryan Hesford (MA, University of Limerick, 2002).  Thesis submission ID 688, last updated 11/12/2013 - 00:12
 

Mark Keane, The use of the Lutheran Chorale 'Nun komm der heiden heiland' in the organ works of J.S. Bach (BMus, Dublin Institute of Technology, 2000).  Thesis submission ID 849, last updated 11/12/2013 - 00:12
 

Margaret McCann, The piano music of William Vincent Wallace (1812-1865) (MA, NUI Maynooth, 2003).  Thesis submission ID 687, last updated 10/12/2013 - 13:59
 

Gráinne Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003).  Thesis submission ID 686, last updated 10/12/2013 - 13:57
 

Nuala Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003).  Thesis submission ID 685, last updated 10/12/2013 - 13:41
 

Stephen Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004).  Thesis submission ID 684, last updated 10/12/2013 - 13:34
 

Aonghus Lynch, The random music generator (MA, NUI Maynooth, 2004).  Thesis submission ID 683, last updated 10/12/2013 - 13:22
 

Clare Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005).  Thesis submission ID 682, last updated 10/12/2013 - 12:52
 

Bernie Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005).  Thesis submission ID 681, last updated 10/12/2013 - 12:48
 

Simon Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005).  Thesis submission ID 680, last updated 10/12/2013 - 12:45
 

John Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005).  Thesis submission ID 679, last updated 10/12/2013 - 12:40
 

Alison Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005).  Thesis submission ID 678, last updated 10/12/2013 - 12:25
 

Frank Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005).  Thesis submission ID 677, last updated 10/12/2013 - 12:22
 

Lena Peterseil, An overview of the underlying theories of the perception of sound (MA, NUI Maynooth, 2005).  Thesis submission ID 676, last updated 10/12/2013 - 12:19
 

Emma O’Reilly, The contrasting reactions of Chopin and Liszt to the Romantic era, with focus on their etudes (MA, NUI Maynooth, 2005).  Thesis submission ID 675, last updated 10/12/2013 - 12:14
 

Cian O’Flanagan, Automatic pitch recognition: A discussion and software implementation (MA, NUI Maynooth, 2005).  Thesis submission ID 674, last updated 10/12/2013 - 12:06