Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Mary Pedder Daly , The effectiveness and relevance of post-Vatican II Irish liturgical works in the context of Musicam Sacram in twenty-first century Irish Catholic liturgy (DMusPerf, Royal Irish Academy of Music, 2024).  Thesis submission ID 928, last updated
 

Gemma O'Herlihy, An autoethnographic account of a piano teacher's professional growth in the piano lab: Improving beginner pianists' musicianship by teaching them to play by ear (PhD, University College London (UCL), 2023).  Thesis submission ID 970, last updated
 

Conor Power, Composing America: Patriotism, Mythology, and Piety in the Film Scores of John Williams (PhD, Maynooth University, 2024).  Thesis submission ID 969, last updated
 

Deirbhile Brennan, A performer's exploration of aspects of selected nineteenth-century solo piano works by female composers: Schumann, Chaminade and Beach (DMusPerf, Royal Irish Academy of Music, 2024).  Thesis submission ID 968, last updated
 

Jimmy Goeijenbier, Contemporary Irish Piano Music: Perspectives on Practising and Performing the Commissioned Works of the Dublin International Piano Competition (1988-2022) (DMus, Technological University Dublin, in progress).  Thesis submission ID 956, last updated
 

Máire Carroll, A twentieth- and twenty-first-century piano étude soundworld : obsessions and self-portraiture in Philip Glass's Twenty Piano Études (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 966, last updated
 

Conor Linehan, Orchestrations of French piano music of the late nineteenth and early twentieth centuries: a pianist's perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 965, last updated
 

John O’Flynn, Perceptions of Irishness in Irish music: A sociological study of national identity and music (PhD, University of London, 2004).  Thesis submission ID 374, last updated
 

Emma Arthur, Art Music and Music Education in Irish Convent Schools, 1830-1900: A Preliminary Survey and Interpretation of the Primary Sources (MMus, University College Dublin, 2023).  Thesis submission ID 955, last updated
 

Didzis Kalninš, An investigation of Janis Medinš’s Piano Sonata (1946): historical context, analysis, editing and performance (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 948, last updated
 

Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th-century Britain (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 929, last updated
 

Molly Adams-Toomey, Communicating meaning in Petr Eben's Písne nelaskavé: a performance perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 949, last updated
 

Pedro Lopez Lopez, A study of Teatro de los Caños del Peral within the European framework (1787-1799): performing conditions of Italian opera and ballet d'action in late eighteenth-century Madrid (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 794, last updated
 

Adrian Mantu, Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016 (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 946, last updated
 

Áine Mulvey, Song Literature in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University, 2022).  Thesis submission ID 895, last updated
 

Billy O'Brien, 'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 927, last updated
 

Madeline Judge, Alan Louis Smith's Vignettes: Covered Wagon Woman: a historical and musical analysis from a performer's perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 926, last updated
 

Roslyn Steer, Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School (PhD, Maynooth University, 2022).  Thesis submission ID 944, last updated
 

Soo-Jung Ann, Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in E flat major, Op. 35 (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 943, last updated
 

Laura Sheils, A Comparative Analysis of Irish Contemporary Choral Composers' Innovative Approaches to Text-Setting (MA, Dublin City University, 2021).  Thesis submission ID 942, last updated
 

Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 924, last updated
 

Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 923, last updated
 

Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 785, last updated
 

Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018).  Thesis submission ID 941, last updated
 

Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University, in progress).  Thesis submission ID 939, last updated