Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Clara Fischer, First meditations on timelessness' (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 575, last updated
 

Claire Fitch, Improvisation: Playing within the space of musical structure (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 574, last updated
 

Paula Lynch, Systems employed in the instrumental music education of the visually impaired (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 573, last updated
 

Alec O’Leary, J.S. Bach: English suite no.4 BWV 809 for two guitars (Other, Dublin Institute of Technology, 2004).  Thesis submission ID 572, last updated
 

Proinnsias O’Raghallaigh, An die ferne geliebte: A study for the singer (Other, Dublin Institute of Technology, 1991).  Thesis submission ID 571, last updated
 

Elaine McCormack, Heitor Villa-Lobos and the twelve etudes (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 570, last updated
 

Andrew Olwill, Bach’s cello suites: Their sarabandes and their role in guitar repertoire (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 569, last updated
 

David Fennessy, A comprehensive study of the extended techniques for the guitar in the twentieth century (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 568, last updated
 

Rosalind McGrane, The development of the Puccini heroine (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 567, last updated
 

Helen Mackle, The history and development of the trumpet (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 566, last updated
 

Brian O hUiginn, The Scots-Gaelic metrical psalm-singing tradition: Tracing the development of a musical synthesis (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 565, last updated
 

Niamh O’Hanlon, The outward significance of inward spirituality: The songs of Peter Warlock (Other, Dublin Institute of Technology, 2012).  Thesis submission ID 564, last updated
 

Noreen O’Flynn, Performance skills for the singing student: Confidence, communication, interpretation (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 563, last updated
 

Maria O’Connell, A performance edition of selected sixteenth century Spanish Vihuela songs by Luis Milan and Luis de Narvaez (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 562, last updated
 

Laoise O’Brien, A study of the piccolo (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 561, last updated
 

Ying Ying Ng, A musical awareness programme for young children (Other, Dublin Institute of Technology, 1994).  Thesis submission ID 560, last updated
 

Rosemary Molloy, Twentieth century piano music for the young developing pianist (Other, Dublin Institute of Technology, 1994).  Thesis submission ID 559, last updated
 

Victoria Massey, The professional chamber choir: A survey of the attributes and problems of professional chamber choir singing (Other, Dublin Institute of Technology, 1994).  Thesis submission ID 558, last updated
 

Lorna Mahon, Massenet’s Werther or Massenet’s Charlotte: An examination of the true protagonist in Massenet’s opera Werther (Other, Dublin Institute of Technology, 2006).  Thesis submission ID 557, last updated
 

Lisa Christina Hutchings, Telemann’s Suite in A-minor for alto recorder strings and continuo: A practical performance study (Other, Dublin Institute of Technology, 2007).  Thesis submission ID 556, last updated
 

Mairead Hurley, Performance issues in Schubert’s Winterreise: A pianist’s perspective (Other, Dublin Institute of Technology, 2006).  Thesis submission ID 555, last updated
 

Con Horgan, Adaptive radiation (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 554, last updated
 

Joyce Elaine Hongsermeier, Kodaly-inspired musicianship training and the beginning piano student: integrating musical and technical skill development (Doctor of Musical Arts, The Catholic University of America, 1995).  Thesis submission ID 553, last updated
 

David J. Hoare, A critical edition of the Wind Partita no. 1 by Paul Corneluis Hammerl. (1769-1839) (MA, Waterford Institute of Technology, 2002).  Thesis submission ID 552, last updated
 

Shane Latimer, Still shining bright: A study of improvisational concepts on the standard ‘Back Home Again in Indiana’ and its contrafact ‘Donna Lee’ (Other, Dublin Institute of Technology, 2010).  Thesis submission ID 551, last updated