Found: 835 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Barry, The myth of Orpheus in the origin and evolution of opera (Other, Dublin Institute of Technology, 2005). Thesis submission ID 543, last updatedSarah
Barry, An assessment of the role of technology in Irish post-primary music education (MA, Dublin Institute of Technology, 2000). Thesis submission ID 542, last updatedColette
Boushell, An exploration of exoticism in Maurice Ravel’s Cinq melodies populaires grecques and Chansons madecasses (Other, Dublin Institute of Technology, 2004). Thesis submission ID 541, last updatedDorothy
Bergin, Breathing theory and application (Other, Dublin Institute of Technology, 1997). Thesis submission ID 540, last updatedCian
Boylan, Deconstructing Harry: The contribution, influences and piano style of Harry Connick Jr. (Other, Dublin Institute of Technology, 2009). Thesis submission ID 539, last updatedCian
Brady, An analysis of the development of the character of Verdi’s Rigoletto, from his origins as Victor Hugo’s Triboulet, into one of the most emotionally complex characters in opera (Other, Dublin Institute of Technology, 2011). Thesis submission ID 538, last updatedPatrick
Brunnock, Heitor Villa-Lobos’ Douze Etudes for guitar: A revised edition. (Other, Dublin Institute of Technology, 2005). Thesis submission ID 537, last updatedJoyce
Byrne, Robert Schumann’s Frauenliebe und Leben: A singer’s guide (Other, Dublin Institute of Technology, 2000). Thesis submission ID 536, last updatedDavid
Brophy, The piano compositions of John Buckley (Other, Dublin Institute of Technology, 1995). Thesis submission ID 535, last updatedRita
Bowens, A performer’s guide to the pedagogical and concert piano repertoire of Marian Ingoldsby (Other, Dublin Institute of Technology, 2006). Thesis submission ID 534, last updatedDerek
Carter, Col. Fred O’Callaghan: The man and his music (Other, Dublin Institute of Technology, 2000). Thesis submission ID 533, last updatedYee
Min Cheah, Faure’s 'La Bonne Chanson': An interpretative guide (Other, Dublin Institute of Technology, 1994). Thesis submission ID 532, last updatedOrla
Colleton, An exploration of contemporary Irish composers’ use of the poetry of James Joyce in their music (Other, Dublin Institute of Technology, 2011). Thesis submission ID 531, last updatedAlan
Coghlan, Talent in music: Genetic or environmental? (Other, Dublin Institute of Technology, 1996). Thesis submission ID 530, last updatedDarryl
Conlon, The classical mandolin (Other, Dublin Institute of Technology, 1997). Thesis submission ID 529, last updatedVerona
Connolly, A critical analysis of representative romantic piano pieces for the intermediate student (Other, Dublin Institute of Technology, 1994). Thesis submission ID 528, last updatedClaire
Conway, How an environment and technology have shaped soundscape music (MA, Dublin Institute of Technology, 2003). Thesis submission ID 527, last updatedTracey
Costello, Factors which influence the development of musical ability in the five year old piano student: An analysis of three pupils (Other, Dublin Institute of Technology, 2000). Thesis submission ID 526, last updatedClaire
Crehan, Robert Schumann’s piano cycles : a search for meaning (Other, Dublin Institute of Technology, 2010). Thesis submission ID 525, last updatedMichaela
Cunningham, The concertina style of Paddy Murphy (1913 -1992) and his influence on contemporary concertina styles (Other, Dublin Institute of Technology, 2012). Thesis submission ID 524, last updatedSinead
Campbell Wallace, Music versus drama: The enigma of Verdi’s Violetta (Other, Dublin Institute of Technology, 2011). Thesis submission ID 523, last updatedLioba
Petrie, A study of the Suzuki Method (Other, Dublin Institute of Technology, 2000). Thesis submission ID 522, last updatedSiobhan
Fanning, An investigation of the use of the DUET algorithm for the separation of musical signals (MA, Dublin Institute of Technology, 2003). Thesis submission ID 521, last updatedRuth
Reid, A study on vocal/instrumental teaching in primary schools and proposed recommendations for changes to the music curriculum (Other, Dublin Institute of Technology, 1996). Thesis submission ID 520, last updatedDamian
Evans, An investigation into the broken style of bass accompaniment in the context of the jazz piano trio from 1959 to 2007 (Other, Dublin Institute of Technology, 2009). Thesis submission ID 519, last updated