Found: 835 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Eri Hirabayashi, The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji (PhD, University of Limerick, 2010).  Thesis submission ID 391, last updated
 

Derry Fitzgerald, Automatic Drum Transcription and Source Separation (PhD, Dublin Institute of Technology, 2004).  Thesis submission ID 390, last updated
 

Anthony Thomas McCann, Beyond the commons : the expansion of the Irish Music Rights Organisation, the elimination of uncertainty, and the politics of enclosure (PhD, University of Limerick, 2002).  Thesis submission ID 389, last updated
 

Aileen Kelleher, Onset and ornament detection and music transcription for monophonic traditional Irish music (MPhil, Dublin Institute of Technology, 2005).  Thesis submission ID 388, last updated
 

Ian R. O’Keeffe, Creation and investigation of an interactive system for the emotive transformation of music (PhD, University of Limerick, 2008).  Thesis submission ID 387, last updated
 

Bryan Duggan, Machine annotation of traditional Irish dance music (MA, Dublin Institute of Technology, 2009).  Thesis submission ID 386, last updated
 

Helen Frances Phelan, Laus Perennis : the emergence of a theology of music with reference to Post-Vatican II Irish Catholicism (PhD, University of Limerick, 2000).  Thesis submission ID 385, last updated
 

Alan Bradshaw, The Commodification of Music Theorising Musicians (PhD, Dublin Institute of Technology, 2005).  Thesis submission ID 384, last updated
 

Padraic Lavin, A Similarity Matrix for Irish Traditional Dance Music (MA, Dublin Institute of Technology, 2010).  Thesis submission ID 383, last updated
 

Desmond John Wilkinson, The world of traditional dance music in Brittany : an exploration of the political, cultural and socio-economic reality of traditional dance music in Brittany 1992-1999 (PhD, University of Limerick, 1999).  Thesis submission ID 382, last updated
 

Damian O’Regan, Music Copyright via the Internet (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 381, last updated
 

Mikel Gainza, Music transcription within Irish traditional music (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 380, last updated
 

Fergus Johnston, The Earl of Kildare An Opera in 3 Acts (PhD, NUI Maynooth, 2010).  Thesis submission ID 379, last updated
 

Barbara Jillian Dignam, Suspended Animation: A Critical Analysis and Aesthetic Interpretation of Roger Doyle’s Babel (PhD, NUI Maynooth, 2010).  Thesis submission ID 378, last updated
 

Brian Carty, Sound localisation : A discussion and software implementation (MA, NUI Maynooth, 2004).  Thesis submission ID 834, last updated
 

Brian Carty, Movements in Binaural Space: Issues in HRTF Interpolation and Reverberation, with applications to Computer Music (PhD, NUI Maynooth, 2010).  Thesis submission ID 377, last updated
 

Jessica Cawley, Pub Sessions as Means of Transmission in Traditional Irish Music: The Public Acquisition of Technical Skills and Repertoire on the Irish Flute (MA, University of Limerick, 2008).  Thesis submission ID 375, last updated
 

Jessica Cawley, The Development of Musicality in Irish Traditional Music: An Ethnography on a Community of Practice (PhD, University College Cork, in progress).  Thesis submission ID 833, last updated
 

Rebecca Shannon, In the Shadow of Genius: 'Borrowing' and the Anxiety of Influence in Musicology (MA, University College Dublin, 2010).  Thesis submission ID 372, last updated
 

Ian Maxwell, The Chamber Music of EJ Moeran (PhD, Durham University, in progress).  Thesis submission ID 371, last updated
 

Aoife Sadlier, Arnold Schoenberg’s quest for a Jewish identity: between fantasy, illusion and reality (BMus, Cork Institute of Technology, School of Music, 2010).  Thesis submission ID 370, last updated
 

Susan Motherway, Mediating the Divide: The Globalisation of Irish Traditional Song Performance (PhD, University of Limerick, 2008).  Thesis submission ID 369, last updated
 

Catherine Heffron, The Reception of Czech Opera in Ireland (MA, NUI Maynooth, 2007).  Thesis submission ID 368, last updated
 

George Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College Dublin, 2009).  Thesis submission ID 366, last updated
 

Angela Moran, Sites of Diaspora: The Irish Music of Birmingham (PhD, University of Cambridge, 2011).  Thesis submission ID 365, last updated