Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Rebecca Shannon, In the Shadow of Genius: 'Borrowing' and the Anxiety of Influence in Musicology (MA, University College Dublin, 2010).  Thesis submission ID 372, last updated
 

Ian Maxwell, The Chamber Music of EJ Moeran (PhD, Durham University, in progress).  Thesis submission ID 371, last updated
 

Aoife Sadlier, Arnold Schoenberg’s quest for a Jewish identity: between fantasy, illusion and reality (BMus, Cork Institute of Technology, School of Music, 2010).  Thesis submission ID 370, last updated
 

Susan Motherway, Mediating the Divide: The Globalisation of Irish Traditional Song Performance (PhD, University of Limerick, 2008).  Thesis submission ID 369, last updated
 

Catherine Heffron, The Reception of Czech Opera in Ireland (MA, NUI Maynooth, 2007).  Thesis submission ID 368, last updated
 

George Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College Dublin, 2009).  Thesis submission ID 366, last updated
 

Angela Moran, Sites of Diaspora: The Irish Music of Birmingham (PhD, University of Cambridge, 2011).  Thesis submission ID 365, last updated
 

Angela Moran, Representing the Black ‘Other’: Issues of Race and Gender in Screen Versions of Bizet's Carmen (MA, University College Dublin, 2007).  Thesis submission ID 832, last updated
 

Mary Louise O Donnell, Custodians of Culture: A Social, Musicological and Cultural History of the Irish Harp and its Patronage from 1790-1840 (PhD, University of Limerick, in progress).  Thesis submission ID 364, last updated
 

Mary Louise O Donnell, The Anglicisation of the Irish Harp: A History of the Irish Harp from 1800 to the Present Day (MA, University College Dublin, 1999).  Thesis submission ID 831, last updated
 

Orlene Denice McMahon, Challenging Conventions: An Audiovisual Collaboration from the 'First Wave' of Irish Film (MA, University College Cork, 2006).  Thesis submission ID 362, last updated
 

Aylish Kerrigan, Arnold Schoenberg’s Opus 15 Das Buch der hängenden Gärten in Context: The Singer’s Perspective (PhD, Dundalk Institute of Technology, 2009).  Thesis submission ID 360, last updated
 

Naomi Dunleavy, The Contribution and Influence of Continental Violin Players on Musical Ireland from 1948 to 2008 (MA, NUI Maynooth, 2008).  Thesis submission ID 359, last updated
 

Patrick FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003).  Thesis submission ID 358, last updated
 

Helmut Werner, The Background, Content and Purpose of the Dallis Lute Book (MA, NUI Maynooth, 2000).  Thesis submission ID 357, last updated
 

David MacKenzie, A Survey of Solo Violin Music by Contemporary Composers (MA, NUI Maynooth, 2001).  Thesis submission ID 356, last updated
 

Geraldine Malone-Brady, The Venetian Baroque Oboe Concerto: a study of the oboe concertos of Albinoni and Vivaldi (MA, NUI Maynooth, 2001).  Thesis submission ID 355, last updated
 

Alan Grundy, Rediscovered Nineteenth-Century Guitar Compositions (MA, NUI Maynooth, 2002).  Thesis submission ID 354, last updated
 

Sue Brady, The Songs of Sir John Andrew Stevenson (MA, NUI Maynooth, 2003).  Thesis submission ID 353, last updated
 

Patrick FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003).  Thesis submission ID 352, last updated
 

Marie Comiskey, The Evolution of the Piccolo as an Orchestral Instrument (MA, NUI Maynooth, 2005).  Thesis submission ID 351, last updated
 

Roisín Nic Athlaoich, Bach’s Solo Cello Suite No. 1: The Performance and Interpretive Value of Schenkerian Analysis (MA, St Patrick’s College, Dublin City University, 2007).  Thesis submission ID 350, last updated
 

Alison N. Bourke, Where is my Music History?: The Absence of Female Composers from University Curricula and the Possible Effects on Potential Female Composers (MA, NUI Maynooth, 2002).  Thesis submission ID 349, last updated
 

Laoise Yates, The Recorder at the Tudor Court (MA, NUI Maynooth, 2005).  Thesis submission ID 348, last updated
 

Martin Hanley, The Piano: Its Context and Impact on Dublin's Musical Life from 1740 to 1830 (MA, NUI Maynooth, 2007).  Thesis submission ID 347, last updated