Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Jennifer O Connor, The Role of Women in Music in Nineteenth-Century Dublin (PhD, NUI Maynooth, 2010).  Thesis submission ID 129, last updated
 

Matteo Cullen, Positive Vibrations: Musical Communities in African Dublin (MPhil, Trinity College Dublin, 2003).  Thesis submission ID 809, last updated
 

Matteo Cullen, Vagabonds of the western world(s): continuities, tensions and the development of Irish rock music, 1968-78 (PhD, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 128, last updated
 

Anne-Marie O’Farrell, The Harp Concerto since 1945: Three Studies (MA, NUI Maynooth, 1999).  Thesis submission ID 127, last updated
 

Alison Margaret Hood, Chopin's Strategic Integration of Rhythm and Pitch: A Schenkerian Perspective (PhD, Trinity College Dublin, 2003).  Thesis submission ID 126, last updated
 

Colette Moloney, The Bunting Manuscripts (PhD, University of Limerick, 1995).  Thesis submission ID 125, last updated
 

Kevin O’Connell, Techniques of a Musical Language (PhD, St Patrick’s College, Dublin City University, 2007).  Thesis submission ID 124, last updated
 

Michael Murphy, An aesthetical and analytical evaluation of the music of Mieczyslaw Karlowicz (1876-1909) (PhD, University College Cork, 1994).  Thesis submission ID 123, last updated
 

Alison Dunlop, Gottlieb Muffat (1690-1770): A Companion to the Sources (PhD, Queen’s University Belfast, 2010).  Thesis submission ID 122, last updated
 

Helen Lyons, State of the Harp: The Irish Harp in the Twenty First Century (MA, University College Dublin, 2006).  Thesis submission ID 121, last updated
 

Helen Lyons, Contemporary Irish Harping (PhD, University College Dublin, 2010).  Thesis submission ID 808, last updated
 

Barra Boydell, Renaissance Windcap Instruments (PhD, Trinity College Dublin, 1981).  Thesis submission ID 120, last updated
 

Nicole Grimes, Brahms's Critics: Continuity and Discontinuity in the Critical Reception of Johannes Brahms (PhD, Trinity College Dublin, 2007).  Thesis submission ID 119, last updated
 

Lisa Parker, Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin (PhD, NUI Maynooth, 2009).  Thesis submission ID 118, last updated
 

Lisa Parker, Robert Prescott Stewart (1825-1894): an assessment of his compositions and contribution to musical life in Dublin (MA, NUI Maynooth, 2000).  Thesis submission ID 807, last updated
 

Thomas Lawrence, The Marsh Lute Book. Selected transcriptions for classical guitar (MA, NUI Maynooth, 1993).  Thesis submission ID 806, last updated
 

Thomas Lawrence, The history of the guitar in Ireland: 1760-1866 (PhD, University College Dublin, 1999).  Thesis submission ID 117, last updated
 

Philip Carty, Olivier Messiaen: 'Vingt regards sur l'Enfant-Jesus'. Their inspiration and representations (MA, NUI Maynooth, 1993).  Thesis submission ID 116, last updated
 

Antoinette Baker, The eleven choral preludes of Johannes Brahms: an analytical survey (MA, NUI Maynooth, 1993).  Thesis submission ID 115, last updated
 

Padhraic O Cuinneagain, The piano music of Seoirse Bodley (MA, NUI Maynooth, 1992).  Thesis submission ID 114, last updated
 

Joseph Ryan, Nationalism and music in Ireland (PhD, NUI Maynooth, 1991).  Thesis submission ID 113, last updated
 

Joseph Ryan, The army school of music 1922-1940. Its formation and evolution with a critical assessment of the composition of its first director, Wilhelm Fritz Brase (MA, NUI Maynooth, 1987).  Thesis submission ID 805, last updated
 

Mary O’Sullivan, The legacy of Michele Esposito to pianist life in Dublin (MA, NUI Maynooth, 1991).  Thesis submission ID 112, last updated
 

Raymond O’Donnell, The 'Trois danses' of Jehan Alain - aspects of their structure and musical language (MA, NUI Maynooth, 1991).  Thesis submission ID 111, last updated
 

Maree-rose Jones, Bel Canto studies 1630-1775: the principles of voice technique (MA, NUI Maynooth, 1991).  Thesis submission ID 110, last updated