Found: 21 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019).  Thesis submission ID 935, last updated
 

Gwendolyn Masin, Violin Teaching in the New Millennium, In Search of the Lost Instructions of Great Masters — An Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved — or — Remembering the Future of Violin Performance (PhD, Trinity College Dublin, 2011).  Thesis submission ID 422, last updated
 

Celia Donoghue, The Duo Sonatas of Johannes Brahms (MLitt, Trinity College Dublin, 1988).  Thesis submission ID 473, last updated
 

Ruth Stanley, Joan Trimble (1915-2000) and the Issue of her 'Irish' Musical Identity (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 846, last updated
 

Jonathan Hodgers, 'I can tell you fancy, I can tell you plain': Bob Dylan and the Cinematic Image (PhD, Trinity College Dublin, in progress).  Thesis submission ID 436, last updated
 

Keith Hennigan, Interactive Musical Release Formats (PhD, Trinity College Dublin, in progress).  Thesis submission ID 420, last updated
 

Róisín Blunnie, The Early Choral Works of Edward Elgar (1857-1934) in the Context of Late-Victorian British Idealism (PhD, Trinity College Dublin, 2013).  Thesis submission ID 419, last updated
 

Jarlath Jennings, Can Technology Help Keep Opera Alive and Relevent to 21st Century Audiences in Ireland (MLitt, Trinity College Dublin, 2011).  Thesis submission ID 418, last updated
 

Seán Doherty, Solfaing: The Evolution of Four-Syllable Solmization (PhD, Trinity College Dublin, in progress).  Thesis submission ID 417, last updated
 

George Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College Dublin, 2009).  Thesis submission ID 366, last updated
 

Helmut Werner, The Background, Content and Purpose of the Dallis Lute Book (MA, NUI Maynooth, 2000).  Thesis submission ID 357, last updated
 

Kerry Houston, The Eighteenth-Century Music Manuscripts at St Patrick's Cathedral, Dublin: Sources, Lineage and Relationship to other collections (PhD, Trinity College Dublin, 2002).  Thesis submission ID 312, last updated
 

Laura Farrell, Modal practice in the early 17th century with special attention to the music of Heinrich Schutz (MLitt, Trinity College Dublin, 1996).  Thesis submission ID 166, last updated
 

Rebekka Fritz, "Worte klingen, Tone sprechen"? Text and music in German operas of the 1920s (PhD, Trinity College Dublin, 1996).  Thesis submission ID 165, last updated
 

Sharon Stephanie Power, An instrument of psychological warfare and a source of solace; music in the films of Leni Riefenstahl (MLitt, Trinity College Dublin, 2011).  Thesis submission ID 130, last updated
 

Matteo Cullen, Positive Vibrations: Musical Communities in African Dublin (MPhil, Trinity College Dublin, 2003).  Thesis submission ID 809, last updated
 

Alison Margaret Hood, Chopin's Strategic Integration of Rhythm and Pitch: A Schenkerian Perspective (PhD, Trinity College Dublin, 2003).  Thesis submission ID 126, last updated
 

Barra Boydell, Renaissance Windcap Instruments (PhD, Trinity College Dublin, 1981).  Thesis submission ID 120, last updated
 

Nicole Grimes, Brahms's Critics: Continuity and Discontinuity in the Critical Reception of Johannes Brahms (PhD, Trinity College Dublin, 2007).  Thesis submission ID 119, last updated
 

Lisa Parker, Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin (PhD, NUI Maynooth, 2009).  Thesis submission ID 118, last updated
 

Lisa Parker, Robert Prescott Stewart (1825-1894): an assessment of his compositions and contribution to musical life in Dublin (MA, NUI Maynooth, 2000).  Thesis submission ID 807, last updated