| 943 |
Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPe… |
Fri, 08/07/2022 - 18:12 |
| 942 |
Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DM… |
Fri, 29/04/2022 - 10:24 |
| 824 |
Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusP… |
Tue, 15/03/2022 - 11:31 |
| 958 |
Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018) |
Sat, 12/03/2022 - 12:14 |
| 956 |
Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University), in progress |
Tue, 15/02/2022 - 09:08 |
| 957 |
Kevin Boushel, The Choral Music of Knut Nystedt and its Influence on Late-Twentieth- and Early-Twenty-First-Century Composers in the United States (MA, Dublin City Un… |
Tue, 15/02/2022 - 09:07 |
| 955 |
Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021) |
Thu, 28/10/2021 - 11:35 |
| 954 |
Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen's University Belfast, 2021) |
Thu, 30/09/2021 - 14:33 |
| 953 |
Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Maynooth Uni… |
Mon, 27/09/2021 - 19:48 |
| 934 |
Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021) |
Thu, 05/08/2021 - 12:54 |
| 952 |
David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019) |
Sat, 29/05/2021 - 14:26 |
| 951 |
Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021) |
Fri, 21/05/2021 - 13:53 |
| 950 |
Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014) |
Tue, 16/02/2021 - 18:11 |
| 949 |
Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by T… |
Mon, 08/02/2021 - 15:38 |
| 948 |
Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th century Britain (PhD, Dundalk Institute of Technology), in progress |
Fri, 05/02/2021 - 11:05 |
| 946 |
Billy O'Brien, Connecting abstract values to artistic choices: The significance of the themes of death and melancholy in Maurice Ravel's Miroirs and implica… |
Mon, 25/01/2021 - 15:02 |
| 947 |
Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progr… |
Mon, 25/01/2021 - 14:42 |
| 945 |
Madeline Judge, Vignettes: Covered Wagon Woman: A performer's perspective (DMusPerf, Royal Irish Academy of Music), in progress |
Thu, 17/12/2020 - 16:35 |
| 944 |
Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020… |
Tue, 15/12/2020 - 16:42 |
| 939 |
Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 201… |
Thu, 10/12/2020 - 14:41 |