| 946 |
Billy O'Brien, 'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs (DMusPerf, Royal Irish A… |
Thu, 16/03/2023 - 15:00 |
| 945 |
Madeline Judge, Alan Louis Smith's Vignettes: Covered Wagon Woman: a historical and musical analysis from a performer's perspective (DMusPerf, Royal Irish A… |
Thu, 02/02/2023 - 17:02 |
| 961 |
Roslyn Steer, Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School (PhD, Maynooth University, 2022) |
Wed, 05/10/2022 - 15:32 |
| 960 |
Soo-Jung Ann, Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in… |
Tue, 04/10/2022 - 11:47 |
| 926 |
Áine Mulvey, Art Song in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University, 2022) |
Thu, 25/08/2022 - 22:35 |
| 959 |
Laura Sheils, A Comparative Analysis of Irish Contemporary Choral Composers' Innovative Approaches to Text-Setting (MA, Dublin City University, 2021) |
Mon, 15/08/2022 - 16:50 |
| 943 |
Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPe… |
Fri, 08/07/2022 - 18:12 |
| 942 |
Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DM… |
Fri, 29/04/2022 - 10:24 |
| 824 |
Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusP… |
Tue, 15/03/2022 - 11:31 |
| 958 |
Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018) |
Sat, 12/03/2022 - 12:14 |
| 956 |
Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University), in progress |
Tue, 15/02/2022 - 09:08 |
| 957 |
Kevin Boushel, The Choral Music of Knut Nystedt and its Influence on Late-Twentieth- and Early-Twenty-First-Century Composers in the United States (MA, Dublin City Un… |
Tue, 15/02/2022 - 09:07 |
| 955 |
Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021) |
Thu, 28/10/2021 - 11:35 |
| 954 |
Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen's University Belfast, 2021) |
Thu, 30/09/2021 - 14:33 |
| 953 |
Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Maynooth Uni… |
Mon, 27/09/2021 - 19:48 |
| 934 |
Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021) |
Thu, 05/08/2021 - 12:54 |
| 952 |
David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019) |
Sat, 29/05/2021 - 14:26 |
| 951 |
Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021) |
Fri, 21/05/2021 - 13:53 |
| 950 |
Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014) |
Tue, 16/02/2021 - 18:11 |
| 949 |
Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (… |
Mon, 08/02/2021 - 15:38 |