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Found: 809   See also special searches (institutions, degrees, specialisms).
ID Author, title, degree, institution, year/status last updated Sort ascending
947 Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progr… Mon, 25/01/2021 - 14:42
945 Madeline Judge, Vignettes: Covered Wagon Woman: A performer's perspective (DMusPerf, Royal Irish Academy of Music), in progress Thu, 17/12/2020 - 16:35
944 Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020… Tue, 15/12/2020 - 16:42
939 Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 201… Thu, 10/12/2020 - 14:41
940 Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018) Thu, 10/12/2020 - 14:39
463 Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music, 2016)… Sat, 05/12/2020 - 12:13
941 Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020) Fri, 04/12/2020 - 12:09
938 William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019) Thu, 03/12/2020 - 15:02
400 Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music, 2009) Thu, 03/12/2020 - 12:39
406 Annette Cleary, The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance (DMusPerf, Royal Irish Academy of Music, 2010) Thu, 03/12/2020 - 12:33
477 Orla Flanagan, Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral (DMusPerf, Royal Irish Academy of Music, 2012) Thu, 03/12/2020 - 12:28
494 Dimitri Papadimitriou, An exploration of the key characteristics in Beethoven's Piano Sonatas and selected instrumental repertoire (DMusPerf, Royal Irish Academy… Thu, 03/12/2020 - 12:20
493 Desmond Earley, French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720) (DMusPerf, Royal Irish Academy… Thu, 03/12/2020 - 12:14
502 Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016) Thu, 03/12/2020 - 12:13
928 Imelda Theresa Drumm, Roles for Leading Ladies: Investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing (DMusPerf… Thu, 03/12/2020 - 12:10
937 Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018)… Wed, 02/12/2020 - 11:16
936 Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University), in progress… Tue, 02/06/2020 - 12:15
933 Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018)… Thu, 12/09/2019 - 19:07
932 Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018) Fri, 06/09/2019 - 16:40
452 Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014) Thu, 18/07/2019 - 14:05