| 502 |
Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016) |
Thu, 03/12/2020 - 12:13 |
| 928 |
Imelda Theresa Drumm, Roles for Leading Ladies: Investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing (DMusPerf… |
Thu, 03/12/2020 - 12:10 |
| 937 |
Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018)… |
Wed, 02/12/2020 - 11:16 |
| 936 |
Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University), in progress… |
Tue, 02/06/2020 - 12:15 |
| 933 |
Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018)… |
Thu, 12/09/2019 - 19:07 |
| 932 |
Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018) |
Fri, 06/09/2019 - 16:40 |
| 452 |
Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014) |
Thu, 18/07/2019 - 14:05 |
| 931 |
Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016) |
Sun, 07/07/2019 - 11:18 |
| 481 |
Marie-Charline Foccroulle, Final Thoughts? Interpretation of the First Movements of Beethoven’s and Schubert’s Last Three Piano Sonatas (DMus, Royal Irish Academy of… |
Tue, 21/05/2019 - 16:48 |
| 930 |
Sylvia Crawford, Towards the Potential Role of a Neglected Eighteenth-Century Harper in Cultural Tourism in the Oriel Region (MA, Dundalk Institute of Technology, 201… |
Tue, 14/05/2019 - 13:27 |
| 172 |
Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011) |
Tue, 07/05/2019 - 17:45 |
| 927 |
David Thomas Cotter, Collaborative Creativity in Classical Guitar Performance: ‘Reassessing the Role of Accompanist’ (PhD, University of Cambridge), in progress |
Tue, 30/04/2019 - 19:42 |
| 929 |
Mark Keane, Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615) (DMus, Royal Irish Academy of Music, 2019) |
Sun, 21/04/2019 - 21:21 |
| 926 |
Áine Mulvey, Art Song in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University), in progress |
Sun, 14/04/2019 - 12:07 |
| 922 |
Rory James Corbett, A Self-Reflexive Clawhammer Banjo-ology (MA, University College Cork, 2018) |
Tue, 09/04/2019 - 08:51 |
| 412 |
Michael Lee, “Il vero di tante meraviglie”: Tasso’s Armida and the power of fantasy in late seventeenth-century opera (PhD, Queen’s University Belfast, 2013) |
Mon, 08/04/2019 - 20:11 |
| 921 |
Mel Mercier, The Mescher bones playing tradition : syncopations on the American landscape (PhD, University of Limerick, 2011) |
Sun, 07/04/2019 - 15:48 |
| 918 |
Eamon O Doherty, Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation (PhD, Dublin Institute of Technology), submitted… |
Wed, 03/04/2019 - 09:58 |
| 461 |
Gwendolyn Masin, Violin Teaching in the New Millennium, In Search of the Lost Instructions of Great Masters — An Examination of Similarities and Differences Between S… |
Mon, 01/04/2019 - 11:54 |
| 876 |
Robin Renwick, SourceNode: A Software Application for Network Music Performance (MSc, Cork Institute of Technology, School of Music, 2011) |
Sat, 30/03/2019 - 09:50 |