| 940 |
Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018) |
Thu, 10/12/2020 - 14:39 |
| 463 |
Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music, 2016)… |
Sat, 05/12/2020 - 12:13 |
| 941 |
Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020) |
Fri, 04/12/2020 - 12:09 |
| 938 |
William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019) |
Thu, 03/12/2020 - 15:02 |
| 400 |
Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music, 2009) |
Thu, 03/12/2020 - 12:39 |
| 406 |
Annette Cleary, The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance (DMusPerf, Royal Irish Academy of Music, 2010) |
Thu, 03/12/2020 - 12:33 |
| 477 |
Orla Flanagan, Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral (DMusPerf, Royal Irish Academy of Music, 2012) |
Thu, 03/12/2020 - 12:28 |
| 494 |
Dimitri Papadimitriou, An exploration of the key characteristics in Beethoven's Piano Sonatas and selected instrumental repertoire (DMusPerf, Royal Irish Academy… |
Thu, 03/12/2020 - 12:20 |
| 493 |
Desmond Earley, French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720) (DMusPerf, Royal Irish Academy… |
Thu, 03/12/2020 - 12:14 |
| 502 |
Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016) |
Thu, 03/12/2020 - 12:13 |
| 928 |
Imelda Theresa Drumm, Roles for Leading Ladies: Investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing (DMusPerf… |
Thu, 03/12/2020 - 12:10 |
| 937 |
Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018)… |
Wed, 02/12/2020 - 11:16 |
| 936 |
Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University), in progress… |
Tue, 02/06/2020 - 12:15 |
| 933 |
Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018)… |
Thu, 12/09/2019 - 19:07 |
| 932 |
Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018) |
Fri, 06/09/2019 - 16:40 |
| 452 |
Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014) |
Thu, 18/07/2019 - 14:05 |
| 931 |
Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016) |
Sun, 07/07/2019 - 11:18 |
| 481 |
Marie-Charline Foccroulle, Final Thoughts? Interpretation of the First Movements of Beethoven’s and Schubert’s Last Three Piano Sonatas (DMus, Royal Irish Academy of… |
Tue, 21/05/2019 - 16:48 |
| 930 |
Sylvia Crawford, Towards the Potential Role of a Neglected Eighteenth-Century Harper in Cultural Tourism in the Oriel Region (MA, Dundalk Institute of Technology, 201… |
Tue, 14/05/2019 - 13:27 |
| 172 |
Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011) |
Tue, 07/05/2019 - 17:45 |