| 862 |
Aileen Dillane, Sound tracts, songlines, and soft repertoire: Irish music performance and the city of Chicago (PhD, University of Chicago, 2009) |
Fri, 08/03/2019 - 09:53 |
| 133 |
Alison Ledger, Am I a founder or am I a fraud? Music therapists’ experiences of developing services in healthcare organizations (PhD, University of Limerick, 2010)… |
Fri, 08/03/2019 - 00:56 |
| 838 |
Kevin Walsh, 'The show must go on': Amateur musical theatre as a community of practice (MA, Cork Institute of Technology, School of Music, 2018) |
Mon, 26/11/2018 - 14:42 |
| 837 |
Eileen Hogan, Music-making and Well-being: Identity, place and cultural policy (PhD, Other, 2015) |
Tue, 11/09/2018 - 15:31 |
| 835 |
Damian Evans, The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present (PhD, Dublin Institute of Technology, 2016) |
Thu, 01/02/2018 - 13:11 |
| 834 |
Owen Gilhooly, The Vocal Music of Thomas Roseingrave (DMus, Royal Irish Academy of Music), in progress |
Wed, 17/01/2018 - 21:48 |
| 833 |
Pedro Lopez Lopez, Performance Practice at Teatro de los Caños del Peral (1786-1810): A study of Italian Opera in Madrid in the Age of Enlightenment (DMus, Royal Iri… |
Thu, 14/12/2017 - 13:30 |
| 832 |
Emma O Toole, Music in the Irish Primary School (BA, University of Limerick, 2016) |
Tue, 05/12/2017 - 18:04 |
| 831 |
Steven Yi, Extensible Computer Music Systems (PhD, NUI Maynooth, 2016) |
Thu, 07/09/2017 - 12:54 |
| 829 |
Bryan Whitelaw, Franz Liszt's Piano Sonata in B Minor: Context, Analysis and Hermeneutics (MPhil, Queen’s University Belfast, 2016) |
Wed, 29/03/2017 - 16:43 |
| 828 |
John Brendan McCloskey, inGrid: A new tactile, tangible and accessible digital musical instrument for enhanced creative independence amongst musicians with quadripleg… |
Tue, 03/05/2016 - 10:26 |
| 895 |
Bridget Knowles, The piano concertos of J.B. Cramer with editions of Concerto no.1 op.10 and Concerto No.6 op.51 (MA, University College Cork, 1993) |
Tue, 03/05/2016 - 10:10 |
| 827 |
Bridget Knowles, An Investigation of Tessitura and Affect in Handel’s Operatic Contralto Roles (MA, Cork Institute of Technology, School of Music), in progress |
Tue, 03/05/2016 - 10:10 |
| 826 |
Francis Ward, Processes of Transmission in Irish Traditional Music: Apporaching a Virtual Orality (PhD, University of Limerick, 2016) |
Wed, 20/04/2016 - 12:33 |
| 825 |
Mark Bollard, Process and Transformation: Creative Applications of Digital Exemplars in the Music of Aloys Fleischmann (1910–1992) (MA, Dundalk Institute of Technolog… |
Tue, 29/12/2015 - 15:27 |
| 824 |
Sylvia O Brien, The Irish Art Song: An exploration of the genre focusing on the works of Seóirse Bodley (DMus, Royal Irish Academy of Music), in progress |
Wed, 11/03/2015 - 12:24 |
| 823 |
Aine Mangaoang, Dangerous Mediations: YouTube, Pop Music and Power in a Philippine Prison Video (PhD, University of Liverpool, 2014) |
Tue, 20/01/2015 - 22:50 |
| 893 |
Gwen Moore, Exploring the Relevance of Multicultural Music Education to Contemporary Irish Society with Particular Reference to the Experiences and Attitudes of Secon… |
Tue, 13/01/2015 - 11:30 |
| 822 |
Gwen Moore, Ideology, Musical Value and Unequal Opportunity: Backgrounds, Assumptions and Experiences of Students and Lecturers in Irish Higher Education (PhD, Other,… |
Tue, 13/01/2015 - 11:30 |
| 821 |
Kenneth McDonald, The final frontier. Time and space: a drummer's perspective (Other, Dublin Institute of Technology, 2012) |
Wed, 07/01/2015 - 11:20 |