| 815 |
Joan Shields, 'Deep Song': Singing from the Margins. Billie Holiday's Style and its Location within Jazz (Other, Dublin Institute of Technology, 2013)… |
Mon, 05/01/2015 - 20:29 |
| 814 |
Robert Linehan, The Songs of Frank Bridge: Striking at the Roots of Tonality (Other, Queen’s University Belfast, 2013) |
Mon, 05/01/2015 - 20:12 |
| 813 |
Bríd Ní Ghruagáin, Guidelines on the pronunciation of Irish in Twentieth and Twenty-first Century Classical Song (MA, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:02 |
| 812 |
Joan Butler, The Opera 'Shamus O'Brien' by C.V. Stanford: Concept, Analysis and Cultural Context (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:51 |
| 811 |
Clare McCague, Suite for Harp op.83 by Benjamin Britten: A Performer's Perspective (BA, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:40 |
| 810 |
Jennifer Davis, 'Carnival': The Figure of the 'She-male' in Opera (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:21 |
| 809 |
Arun Rao, 'Pierrots Faches Avec La Lune': Debussy, Faure and Ravel during World War I (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 17:45 |
| 808 |
Alma B. Ní Riain, Lyrical learning: an action research study investigating the value of integrating song-singing into the Irish language classroom (BA, Mary Immaculat… |
Mon, 05/01/2015 - 16:44 |
| 807 |
Rachel Hayes, “We’re all in this together”: an ethnographic study of the holistic experience of an Irish school musical (MA, Mary Immaculate College, University of Li… |
Mon, 05/01/2015 - 16:37 |
| 806 |
Shane Greene, Exploring the goals of the National Children’s Strategy: Our Children-Their Lives (2000) through the implementation of a choral music-making project at… |
Mon, 05/01/2015 - 16:22 |
| 805 |
Angela Horgan Goff, Cultural Constructs of National Identity in Irish Saga-Inspired Musical Composition (PhD, Waterford Institute of Technology, 2014) |
Mon, 05/01/2015 - 15:11 |
| 804 |
Declan Plummer, 'Music based on worth': The conducting career of Sir Hamilton Harty (PhD, Queen’s University Belfast, 2011) |
Mon, 25/08/2014 - 22:41 |
| 803 |
Peter Manning, Sondheim's Sweeney Todd: A Study (MA, NUI Maynooth), in progress |
Thu, 31/07/2014 - 19:19 |
| 892 |
Anja Bunzel, 'Das Paradies und die Peri' von Robert Schumann: Untersuchung zur Rezeptionsgeschichte der 'Peri' in Dublin und Leipzig im Zeitraum v… |
Wed, 28/05/2014 - 10:39 |
| 801 |
Lynn Sullivan, Adapting the Kodaly approach in the Irish secondary school music classroom (MEd, Other, 2014) |
Mon, 12/05/2014 - 15:38 |
| 800 |
Geraldine Cotter, Institutional and Social Teaching, Learning and Performing of Irish Traditional Music in Ennis, County Clare 1961-1980 (PhD, University of Limerick… |
Sun, 16/02/2014 - 17:09 |
| 891 |
Geraldine Cotter, Piano Practice (MA, University of Limerick, 2005) |
Sun, 16/02/2014 - 17:09 |
| 799 |
Philip Horan, 'The bamboo and Zen are One!': The Conceptualisation of Tone in the Shakuhachi Tradition (MA, University of Limerick, 2002) |
Fri, 24/01/2014 - 20:34 |
| 890 |
Philip Horan, Bohuslav Martinu: A discussion of his flute works in relation to his life and compositional style (BA, NUI Maynooth, 1994) |
Fri, 24/01/2014 - 20:34 |
| 798 |
Deirbhile Brennan, Exploring the attitudes and preferences of an Irish audience towards classical music and its performance (MA, Royal Irish Academy of Music, 2013)… |
Wed, 22/01/2014 - 13:47 |