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Found: 801   See also special searches (institutions, degrees, specialisms).
ID Author, title, degree, institution, year/status last updated Sort ascending
892 Anja Bunzel, 'Das Paradies und die Peri' von Robert Schumann: Untersuchung zur Rezeptionsgeschichte der 'Peri' in Dublin und Leipzig im Zeitraum v… Wed, 28/05/2014 - 10:39
801 Lynn Sullivan, Adapting the Kodaly approach in the Irish secondary school music classroom (MEd, Other, 2014) Mon, 12/05/2014 - 15:38
891 Geraldine Cotter, Piano Practice (MA, University of Limerick, 2005) Sun, 16/02/2014 - 17:09
800 Geraldine Cotter, Institutional and Social Teaching, Learning and Performing of Irish Traditional Music in Ennis, County Clare 1961-1980 (PhD, University of Limerick… Sun, 16/02/2014 - 17:09
890 Philip Horan, Bohuslav Martinu: A discussion of his flute works in relation to his life and compositional style (BA, NUI Maynooth, 1994) Fri, 24/01/2014 - 20:34
799 Philip Horan, 'The bamboo and Zen are One!': The Conceptualisation of Tone in the Shakuhachi Tradition (MA, University of Limerick, 2002) Fri, 24/01/2014 - 20:34
798 Deirbhile Brennan, Exploring the attitudes and preferences of an Irish audience towards classical music and its performance (MA, Royal Irish Academy of Musi… Wed, 22/01/2014 - 13:47
797 Jonathan Doherty, Song form intelligence for repairing streaming music across wireless bursty networks (PhD, University of Ulster, 2010) Wed, 22/01/2014 - 13:36
796 Julie Patricia Sutton, "The invisible handshake": An investigation of free musical improvisation as a form of conversation (PhD, University of Ulster, 2001… Wed, 22/01/2014 - 13:14
795 Patrick Denis Butler, By popular demand: Marketing change in the arts (DPhil, University of Ulster, 2000) Wed, 22/01/2014 - 13:11
794 Paul Maguire, Conditions of possibility: Changes in popular music culture and the development of Country & Irish music (PhD, University of Ulster, 2012) Wed, 22/01/2014 - 13:05
793 Richard Graham, Expansion of electronic guitar performance practice through the application and development of interactive digital music systems (PhD, University of U… Wed, 22/01/2014 - 13:00
792 Mark McKnight, Contemporary jazz guitar performance: perspectives on the development of improvisational language (PhD, University of Ulster, 2012) Wed, 22/01/2014 - 12:57
791 Christopher Norby, Maintaining pleasure in composition; personal and philosophical issues affecting my work as a composer (PhD, University of Ulster, 2011) Wed, 22/01/2014 - 12:51
790 Yvonne Slevin, A music based language skills intervention for children with specific speech and language disorder (MEd, St Patrick’s College, Dublin City University,… Wed, 22/01/2014 - 12:29
789 Emma Loughnane, Portfolio of six original works (MA, Waterford Institute of Technology, 2000) Wed, 22/01/2014 - 12:11
788 Nora Kavanagh, 'Regionalism' in pre-Revival Irish Traditional Flute Performing Styles: Fact or Fiction? (MA, Waterford Institute of Technology, 2… Wed, 22/01/2014 - 12:07
787 Catherine Mulvihill, The performer as art figure 1919-1928 (MA, Waterford Institute of Technology, 2004) Wed, 22/01/2014 - 12:00
786 Eibhlin Griffin, Jean Sibelius & Rotational Form: Structural Aspects of Tapiola (MA, Waterford Institute of Technology, 2004) Wed, 22/01/2014 - 11:57
785 Will Dowling, Folio of six original compositions (MA, Waterford Institute of Technology, 2004) Wed, 22/01/2014 - 11:52