| 796 |
Julie Patricia Sutton, "The invisible handshake": An investigation of free musical improvisation as a form of conversation (PhD, University of Ulster, 2001… |
Wed, 22/01/2014 - 13:14 |
| 795 |
Patrick Denis Butler, By popular demand: Marketing change in the arts (DPhil, University of Ulster, 2000) |
Wed, 22/01/2014 - 13:11 |
| 794 |
Paul Maguire, Conditions of possibility: Changes in popular music culture and the development of Country & Irish music (PhD, University of Ulster, 2012) |
Wed, 22/01/2014 - 13:05 |
| 793 |
Richard Graham, Expansion of electronic guitar performance practice through the application and development of interactive digital music systems (PhD, University of U… |
Wed, 22/01/2014 - 13:00 |
| 792 |
Mark McKnight, Contemporary jazz guitar performance: perspectives on the development of improvisational language (PhD, University of Ulster, 2012) |
Wed, 22/01/2014 - 12:57 |
| 791 |
Christopher Norby, Maintaining pleasure in composition; personal and philosophical issues affecting my work as a composer (PhD, University of Ulster, 2011) |
Wed, 22/01/2014 - 12:51 |
| 790 |
Yvonne Slevin, A music based language skills intervention for children with specific speech and language disorder (MEd, St Patrick’s College, Dublin City University,… |
Wed, 22/01/2014 - 12:29 |
| 789 |
Emma Loughnane, Portfolio of six original works (MA, Waterford Institute of Technology, 2000) |
Wed, 22/01/2014 - 12:11 |
| 788 |
Nora Kavanagh, 'Regionalism' in pre-Revival Irish Traditional Flute Performing Styles: Fact or Fiction? (MA, Waterford Institute of Technology, 2001) |
Wed, 22/01/2014 - 12:07 |
| 787 |
Catherine Mulvihill, The performer as art figure 1919-1928 (MA, Waterford Institute of Technology, 2004) |
Wed, 22/01/2014 - 12:00 |
| 786 |
Eibhlin Griffin, Jean Sibelius & Rotational Form: Structural Aspects of Tapiola (MA, Waterford Institute of Technology, 2004) |
Wed, 22/01/2014 - 11:57 |
| 785 |
Will Dowling, Folio of six original compositions (MA, Waterford Institute of Technology, 2004) |
Wed, 22/01/2014 - 11:52 |
| 784 |
Joe Whelan, Art Music Guitarist-Composers since 1950 (MA, Waterford Institute of Technology, 2005) |
Wed, 22/01/2014 - 11:49 |
| 783 |
Anne McNally, An examination of Leonard Bernstein's West Side Story in the Context of the American Musical (MA, Waterford Institute of Technology, 2006) |
Wed, 22/01/2014 - 11:45 |
| 782 |
Jennifer Doyle, A Critical Edition of Two 'Grand' Symphonies by Carl Stamitz (1745-1801) (MA, Waterford Institute of Technology, 2006) |
Wed, 22/01/2014 - 11:41 |
| 781 |
Patrick J. McCormack, Portfolio of Original Works (PhD, Waterford Institute of Technology, 2007) |
Wed, 22/01/2014 - 11:35 |
| 780 |
Eimear Heeney, Beethoven's Works for Violin and Piano (MA, Waterford Institute of Technology, 2007) |
Wed, 22/01/2014 - 11:00 |
| 779 |
Ben Hanlon, A Folio of Original Compositions for Various Performing Groups with Detailed Analysis (MA, Waterford Institute of Technology, 2008) |
Wed, 22/01/2014 - 10:56 |
| 778 |
Bartholomew Callinan, A portfolio of six original compositions (MA, Waterford Institute of Technology, 2008) |
Wed, 22/01/2014 - 10:52 |
| 777 |
Deirdre McDonald, 'Unifying the Dispersed': The Irish Music Manuscripts of Henry Hudson (1798-1889) (MA, Waterford Institute of Technology, 2008) |
Wed, 22/01/2014 - 10:48 |