| 760 |
Emer Bailey, The Music and Politics of Alan Bush with Reference to the Application of his Socialist Principles to his Workers Choral Music and Songs between… |
Tue, 21/01/2014 - 13:45 |
| 759 |
Ruth Gallagher, A Stylistic Examination of Shakespeares Texts Set for Solo Voice by Amy Beach, Elizabeth Maconchy and Madeleine Dring (MA, Waterford Institu… |
Tue, 21/01/2014 - 13:41 |
| 758 |
D. G. Scanlon, The compositional legacy (PhD, Waterford Institute of Technology, 2013) |
Tue, 21/01/2014 - 13:35 |
| 757 |
Mary O’Sullivan, The legacy of Michele Esposito to pianistic life in Dublin (MA, NUI Maynooth, 1991) |
Tue, 21/01/2014 - 13:10 |
| 756 |
Siobhan O’Gorman, A review of music education in the primary schools: A case study in a midland county (MEd, NUI Maynooth, 1990) |
Tue, 21/01/2014 - 13:07 |
| 755 |
Raymond O’Donnell, The 'Trois danses' of Jehan Alain: Aspects of their structure and musical language (MA, NUI Maynooth, 1991) |
Tue, 21/01/2014 - 13:05 |
| 754 |
Johanna M. McNamara, The development of Irish traditional music and the response of the education system to it (1831-1988) (MEd, NUI Maynooth, 1989) |
Tue, 21/01/2014 - 13:01 |
| 753 |
Ursula McDonnell, A critique of music teaching in the primary school with particular reference to alternative approaches (MEd, NUI Maynooth, 1988) |
Tue, 21/01/2014 - 12:58 |
| 752 |
Anne Leahy, William Telford: Organ builder (MA, NUI Maynooth, 1987) |
Tue, 21/01/2014 - 12:51 |
| 751 |
Dermot Brophy, Irish music education at the cross-roads: An investigation of the problems facing muscial education in Ireland, with proposed solutions (MEd,… |
Tue, 21/01/2014 - 12:45 |
| 750 |
John O’Keeffe, An analytical survey of the organ music of Maurice Durufle (1902-1986) (MA, NUI Maynooth, 1988) |
Tue, 21/01/2014 - 12:38 |
| 749 |
Leonard Dorrian, Beethoven's "Waldstein" and "Appassioata" sonatas: Comparison and analysis (MA, NUI Maynooth, 1996) |
Tue, 21/01/2014 - 12:08 |
| 748 |
Gráinne Louise O’Sullivan, The Irish Ring: A study of The Bohemian Girl, Maritana, and The Lily of Killarney in the context of nineteenth-century ballad ope… |
Tue, 21/01/2014 - 10:59 |
| 747 |
Teresa O’Donnell, It is new strung and shall be heard: A study of the Irish Harp in the twentieth century (MA, NUI Maynooth, 2000) |
Tue, 21/01/2014 - 10:53 |
| 746 |
Shirin Goudarzi-Tobin, The piano music of Karol Szymanowski (MA, NUI Maynooth, 2000) |
Tue, 21/01/2014 - 10:50 |
| 745 |
Oliver Patrick Cunningham, Irish pop music in a global context (MA, NUI Maynooth, 2000) |
Tue, 21/01/2014 - 10:48 |
| 744 |
David Burke, Béla Bartók's piano sonata as a prototype of a twentieth-century 'classical sonata' (MA, NUI Maynooth, 2000) |
Tue, 21/01/2014 - 10:45 |
| 743 |
Padraig Sheridan, Three textual scores: Ligeti, Penderecki and Xenakis (MA, NUI Maynooth, 2001) |
Tue, 21/01/2014 - 10:42 |
| 742 |
Andrew Purcell, An analytical and grading survey of contemporary Irish liturgical choral music (MA, NUI Maynooth, 2001) |
Tue, 21/01/2014 - 10:39 |
| 741 |
Gemma O’Herlihy, The piano music of Howard Ferguson (MA, NUI Maynooth, 2001) |
Tue, 21/01/2014 - 10:37 |