| 734 |
David T. Stalling, An exploration of spatial aspects of composition in 20th century music (MA, NUI Maynooth, 2002) |
Tue, 21/01/2014 - 10:08 |
| 733 |
Conal Rae, Casticismo, Joaquin Rodrigo, and the Spanish contribution to European music, 1814-1954 (MA, NUI Maynooth, 2002) |
Tue, 21/01/2014 - 10:05 |
| 732 |
Clíona McDonough, The history of the Stabat mater dolorosa, with a critical analysis of the Stabat mater by Gioachino Rossini (MA, NUI Maynooth, 2002) |
Tue, 21/01/2014 - 10:03 |
| 731 |
Sinéad Dooley, Rimsky-Korsakov and the legend of the invisible city of Kitezh (MA, NUI Maynooth, 2002) |
Tue, 21/01/2014 - 09:53 |
| 730 |
David M. Curran, Totally natural: Staged authenticity, art and a requirement for perfect details in the music industry (MA, NUI Maynooth, 2002) |
Tue, 21/01/2014 - 09:50 |
| 729 |
Brian Quigley, The music of Barry Guy (MA, NUI Maynooth, 2003) |
Tue, 21/01/2014 - 09:39 |
| 728 |
Méabh O’Reilly, The aesthetics and compositional methods of Luciano Berio: An exploration of the music and text of Laborintus II (MA, NUI Maynooth, 2003) |
Tue, 21/01/2014 - 09:36 |
| 888 |
Mark Keane, The use of the Lutheran Chorale 'Nun komm der heiden heiland' in the organ works of J.S. Bach (BMus, Dublin Institute of Technology, 2000) |
Wed, 11/12/2013 - 00:12 |
| 727 |
Mark Keane, The life and works of Bryan Hesford (MA, University of Limerick, 2002) |
Wed, 11/12/2013 - 00:12 |
| 726 |
Margaret McCann, The piano music of William Vincent Wallace (1812-1865) (MA, NUI Maynooth, 2003) |
Tue, 10/12/2013 - 13:59 |
| 725 |
Gráinne Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003) |
Tue, 10/12/2013 - 13:57 |
| 724 |
Nuala Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003) |
Tue, 10/12/2013 - 13:41 |
| 723 |
Stephen Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004) |
Tue, 10/12/2013 - 13:34 |
| 722 |
Aonghus Lynch, The random music generator (MA, NUI Maynooth, 2004) |
Tue, 10/12/2013 - 13:22 |
| 721 |
Clare Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:52 |
| 720 |
Bernie Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:48 |
| 719 |
Simon Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:45 |
| 718 |
John Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:40 |
| 717 |
Alison Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:25 |
| 716 |
Frank Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:22 |