| 723 |
Stephen Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004) |
Tue, 10/12/2013 - 13:34 |
| 722 |
Aonghus Lynch, The random music generator (MA, NUI Maynooth, 2004) |
Tue, 10/12/2013 - 13:22 |
| 721 |
Clare Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:52 |
| 720 |
Bernie Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:48 |
| 719 |
Simon Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:45 |
| 718 |
John Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:40 |
| 717 |
Alison Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:25 |
| 716 |
Frank Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:22 |
| 715 |
Lena Peterseil, An overview of the underlying theories of the perception of sound (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:19 |
| 714 |
Emma O’Reilly, The contrasting reactions of Chopin and Liszt to the Romantic era, with focus on their etudes (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:14 |
| 713 |
Cian O’Flanagan, Automatic pitch recognition: A discussion and software implementation (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:06 |
| 712 |
Ruth Kennington, Final Project (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 12:00 |
| 711 |
Fearghus Fallon, The classical singing voice: A study of the unseen instrument (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:52 |
| 710 |
Colm Duffy, An overview of spatial sound reproduction techniques (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:48 |
| 709 |
Mary Regina Deacy, Continental organists and Catholic Church music in Ireland, 1860-1960 (MLitt, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:44 |
| 708 |
Colette Anne Cronin, A perspective on independently releasing music (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:40 |
| 707 |
Leslie Cassidy, Django Reinhardt (1910-1953): Gypsy in a jazz world (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:37 |
| 706 |
Cathy Burke, Louis Andriessen: De Staat (MA, NUI Maynooth, 2005) |
Tue, 10/12/2013 - 11:34 |
| 705 |
Sarah Tumbleton, Late swing to early bebop: A study in continuity (MA, NUI Maynooth, 2006) |
Tue, 10/12/2013 - 10:58 |
| 704 |
Anna O’Leary, The symphonies of Michael Tippett: A study of structure and style (MA, NUI Maynooth, 2006) |
Tue, 10/12/2013 - 10:55 |