| 832 |
Emma O Toole, Music in the Irish Primary School (BA, University of Limerick, 2016) |
Tue, 05/12/2017 - 18:04 |
| 811 |
Clare McCague, Suite for Harp op.83 by Benjamin Britten: A Performer's Perspective (BA, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:40 |
| 808 |
Alma B. Ní Riain, Lyrical learning: an action research study investigating the value of integrating song-singing into the Irish language classroom (BA, Mary Immaculat… |
Mon, 05/01/2015 - 16:44 |
| 890 |
Philip Horan, Bohuslav Martinu: A discussion of his flute works in relation to his life and compositional style (BA, NUI Maynooth, 1994) |
Fri, 24/01/2014 - 20:34 |
| 647 |
Leah Clarke, A critical edition of manuscripts NLI mss 7259–60 from the Henry P. Hudson collection (BA, Waterford Institute of Technology, 2008) |
Wed, 10/07/2013 - 12:14 |
| 643 |
A. Trotter, Tap dance : The lost art form regained (BA, Other, 2010) |
Wed, 10/07/2013 - 11:44 |
| 634 |
Caroline Keane, Composition within a living tradition: A study of the place, process and authenticity of composition within traditional Irish music, through focus on… |
Wed, 10/07/2013 - 10:24 |
| 632 |
Julie Haynes, Nineteenth-century nationalist ballads: Constructs of Irishness in the nineteenth century and today (BA, Other, 2011) |
Wed, 10/07/2013 - 10:08 |
| 886 |
Brian Casley, Innovation in Irish traditional music. A study of group playing and the impact of technology (BA, Dundalk Institute of Technology), submitted |
Tue, 15/01/2013 - 16:07 |
| 405 |
George Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College Dublin, 2… |
Sun, 24/01/2010 - 22:06 |