Browse theses

Found: 21   See also special searches (institutions, degrees, specialisms).
ID Author, title, degree, institution, year/status last updated Sort ascending
943 Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPe… Fri, 08/07/2022 - 18:12
942 Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954… Fri, 29/04/2022 - 10:24
824 Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusP… Tue, 15/03/2022 - 11:31
955 Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021) Thu, 28/10/2021 - 11:35
951 Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021) Fri, 21/05/2021 - 13:53
946 Billy O'Brien, Connecting abstract values to artistic choices: The significance of the themes of death and melancholy in Maurice Ravel's Miroirs a… Mon, 25/01/2021 - 15:02
947 Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progr… Mon, 25/01/2021 - 14:42
945 Madeline Judge, Vignettes: Covered Wagon Woman: A performer's perspective (DMusPerf, Royal Irish Academy of Music), in progress Thu, 17/12/2020 - 16:35
944 Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020… Tue, 15/12/2020 - 16:42
939 Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 201… Thu, 10/12/2020 - 14:41
940 Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018) Thu, 10/12/2020 - 14:39
463 Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music… Sat, 05/12/2020 - 12:13
941 Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020) Fri, 04/12/2020 - 12:09
938 William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019) Thu, 03/12/2020 - 15:02
400 Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music,… Thu, 03/12/2020 - 12:39
406 Annette Cleary, The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance (DMusPerf, Royal Irish Academy of Music, 2010) Thu, 03/12/2020 - 12:33
477 Orla Flanagan, Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral (DMusPerf, Royal Irish Academy of Music, 2012) Thu, 03/12/2020 - 12:28
494 Dimitri Papadimitriou, An exploration of the key characteristics in Beethoven's Piano Sonatas and selected instrumental repertoire (DMusPerf, Royal Iri… Thu, 03/12/2020 - 12:20
493 Desmond Earley, French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720) (DMusPerf, Royal Iri… Thu, 03/12/2020 - 12:14
502 Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016) Thu, 03/12/2020 - 12:13