| 821 |
Kenneth McDonald, The final frontier. Time and space: a drummer's perspective (Other, Dublin Institute of Technology, 2012) |
Wed, 07/01/2015 - 11:20 |
| 820 |
Caoimhe Kearins, Mouth Music in Traditional Irish Music: An exploration of the art form of Lilting from the perspective of performers (Other, Dublin Institute of Tech… |
Wed, 07/01/2015 - 11:11 |
| 819 |
John Blake, The Role of the Recording Studio in Irish Traditional Music (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 21:21 |
| 818 |
Catrina Scullion, Expressionism and psychological disintegration in Schoenberg's 'Erwartung' (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 21:01 |
| 817 |
Julian Pusca, The Pan Flute: Origins, Instruments and Repertoire (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:54 |
| 816 |
Michael Barkley, Miles Davis and the transition from bebop to cool jazz: A historic and stylistic examination (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:43 |
| 815 |
Joan Shields, 'Deep Song': Singing from the Margins. Billie Holiday's Style and its Location within Jazz (Other, Dublin Institute of Technology, 2013)… |
Mon, 05/01/2015 - 20:29 |
| 814 |
Robert Linehan, The Songs of Frank Bridge: Striking at the Roots of Tonality (Other, Queen’s University Belfast, 2013) |
Mon, 05/01/2015 - 20:12 |
| 812 |
Joan Butler, The Opera 'Shamus O'Brien' by C.V. Stanford: Concept, Analysis and Cultural Context (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:51 |
| 810 |
Jennifer Davis, 'Carnival': The Figure of the 'She-male' in Opera (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:21 |
| 809 |
Arun Rao, 'Pierrots Faches Avec La Lune': Debussy, Faure and Ravel during World War I (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 17:45 |
| 678 |
Patrick Joseph Garvey, A VST plugin for emulation of 'automatic double tracking' (Other, Cork Institute of Technology, School of Music, 2013) |
Wed, 04/12/2013 - 09:54 |
| 674 |
Marcus Howard, Rockonomics: A proposed music marketing model for County Louth (Other, Dundalk Institute of Technology, 2007) |
Wed, 04/12/2013 - 09:46 |
| 672 |
Patricia McCarthy, The management, growth and development of the Suzuki method of string pedagogy at Cork School of Music from 1969-1999 (Other, Cork Institute of Tec… |
Wed, 04/12/2013 - 09:21 |
| 671 |
Brian Leach, The building of an analogue voltage-controlled modular musical synthesiser and the exploration of its mode of sound production (Other, Cork Institute of… |
Wed, 04/12/2013 - 09:05 |
| 669 |
Stephen Collender, Exploring the aesthetic of spatial motion with binaural synthesis (Other, Cork Institute of Technology, School of Music, 2011) |
Wed, 04/12/2013 - 08:52 |
| 668 |
Keith C. Clancy, Digital manuscript book: Investigation into technologies and features for the design of a purpose built digital music manuscript reader (Other, Cork… |
Wed, 04/12/2013 - 08:48 |
| 667 |
Ron Healy, Digital audio watermarking for broadcast monitoring and content identification (Other, NUI Maynooth, 2010) |
Wed, 04/12/2013 - 08:47 |
| 666 |
Ronan Kelly, Automatic transcription of polyphonic music using a note masking technique (Other, University of Limerick, 2010) |
Wed, 04/12/2013 - 08:45 |
| 651 |
Sheaukang Hew, Irish music in central Oklahoma: An ethnographic study (Other, Other, 2006) |
Wed, 10/07/2013 - 12:39 |