| 926 |
Áine Mulvey, Song Literature in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University, 2022) |
Sat, 08/04/2023 - 14:07 |
| 961 |
Roslyn Steer, Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School (PhD, Maynooth University, 2022) |
Wed, 05/10/2022 - 15:32 |
| 958 |
Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018) |
Sat, 12/03/2022 - 12:14 |
| 956 |
Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University), in progress… |
Tue, 15/02/2022 - 09:08 |
| 954 |
Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen's University Belfast, 2021) |
Thu, 30/09/2021 - 14:33 |
| 953 |
Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Ma… |
Mon, 27/09/2021 - 19:48 |
| 934 |
Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021) |
Thu, 05/08/2021 - 12:54 |
| 952 |
David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019) |
Sat, 29/05/2021 - 14:26 |
| 948 |
Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th century Britain (PhD, Dundalk Institute of Technology), in progress |
Fri, 05/02/2021 - 11:05 |
| 937 |
Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018)… |
Wed, 02/12/2020 - 11:16 |
| 936 |
Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University), in… |
Tue, 02/06/2020 - 12:15 |
| 933 |
Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018)… |
Thu, 12/09/2019 - 19:07 |
| 932 |
Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018) |
Fri, 06/09/2019 - 16:40 |
| 452 |
Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014) |
Thu, 18/07/2019 - 14:05 |
| 931 |
Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016) |
Sun, 07/07/2019 - 11:18 |
| 172 |
Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011) |
Tue, 07/05/2019 - 17:45 |
| 927 |
David Thomas Cotter, Collaborative Creativity in Classical Guitar Performance: ‘Reassessing the Role of Accompanist’ (PhD, University of Cambridge), in prog… |
Tue, 30/04/2019 - 19:42 |
| 412 |
Michael Lee, “Il vero di tante meraviglie”: Tasso’s Armida and the power of fantasy in late seventeenth-century opera (PhD, Queen’s University Belfast, 2013… |
Mon, 08/04/2019 - 20:11 |
| 921 |
Mel Mercier, The Mescher bones playing tradition : syncopations on the American landscape (PhD, University of Limerick, 2011) |
Sun, 07/04/2019 - 15:48 |
| 918 |
Eamon O Doherty, Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation (PhD, Dublin Institute of Technology), submitted… |
Wed, 03/04/2019 - 09:58 |