| 918 |
Eamon O Doherty, Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation (PhD, Dublin Institute of Technology), submitted… |
Wed, 03/04/2019 - 09:58 |
| 835 |
Damian Evans, The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present (PhD, Dublin Institute of Technology, 2016) |
Thu, 01/02/2018 - 13:11 |
| 821 |
Kenneth McDonald, The final frontier. Time and space: a drummer's perspective (Other, Dublin Institute of Technology, 2012) |
Wed, 07/01/2015 - 11:20 |
| 820 |
Caoimhe Kearins, Mouth Music in Traditional Irish Music: An exploration of the art form of Lilting from the perspective of performers (Other, Dublin Institute of Tech… |
Wed, 07/01/2015 - 11:11 |
| 819 |
John Blake, The Role of the Recording Studio in Irish Traditional Music (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 21:21 |
| 818 |
Catrina Scullion, Expressionism and psychological disintegration in Schoenberg's 'Erwartung' (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 21:01 |
| 817 |
Julian Pusca, The Pan Flute: Origins, Instruments and Repertoire (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:54 |
| 816 |
Michael Barkley, Miles Davis and the transition from bebop to cool jazz: A historic and stylistic examination (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:43 |
| 815 |
Joan Shields, 'Deep Song': Singing from the Margins. Billie Holiday's Style and its Location within Jazz (Other, Dublin Institute of Technology, 2013)… |
Mon, 05/01/2015 - 20:29 |
| 813 |
Bríd Ní Ghruagáin, Guidelines on the pronunciation of Irish in Twentieth and Twenty-first Century Classical Song (MA, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 20:02 |
| 812 |
Joan Butler, The Opera 'Shamus O'Brien' by C.V. Stanford: Concept, Analysis and Cultural Context (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:51 |
| 811 |
Clare McCague, Suite for Harp op.83 by Benjamin Britten: A Performer's Perspective (BA, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:40 |
| 810 |
Jennifer Davis, 'Carnival': The Figure of the 'She-male' in Opera (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 18:21 |
| 809 |
Arun Rao, 'Pierrots Faches Avec La Lune': Debussy, Faure and Ravel during World War I (Other, Dublin Institute of Technology, 2013) |
Mon, 05/01/2015 - 17:45 |
| 888 |
Mark Keane, The use of the Lutheran Chorale 'Nun komm der heiden heiland' in the organ works of J.S. Bach (BMus, Dublin Institute of Technology, 2000) |
Wed, 11/12/2013 - 00:12 |
| 676 |
Dermot McDermott, Composition portfolio with accompanying comments and analysis (MPhil, Dublin Institute of Technology, 2013) |
Wed, 04/12/2013 - 09:52 |
| 627 |
Daniel O’Neill, Music composition portfolio (MPhil, Dublin Institute of Technology, 2011) |
Tue, 09/07/2013 - 15:10 |
| 626 |
Mark Leddy, Blind single channel sound source separation (MPhil, Dublin Institute of Technology, 2010) |
Tue, 09/07/2013 - 14:57 |
| 625 |
Joseph McKay, Automatic musical instrument identification (MPhil, Dublin Institute of Technology, 2011) |
Tue, 09/07/2013 - 14:55 |
| 624 |
Jane Charles, Playing technique and violin timbre: Detecting bad playing (PhD, Dublin Institute of Technology, 2010) |
Tue, 09/07/2013 - 14:43 |