| 837 |
Eileen Hogan, Music-making and Well-being: Identity, place and cultural policy (PhD, Other, 2015) |
Tue, 11/09/2018 - 15:31 |
| 822 |
Gwen Moore, Ideology, Musical Value and Unequal Opportunity: Backgrounds, Assumptions and Experiences of Students and Lecturers in Irish Higher Education (P… |
Tue, 13/01/2015 - 11:30 |
| 892 |
Anja Bunzel, 'Das Paradies und die Peri' von Robert Schumann: Untersuchung zur Rezeptionsgeschichte der 'Peri' in Dublin und Leipzig im Zeitraum v… |
Wed, 28/05/2014 - 10:39 |
| 801 |
Lynn Sullivan, Adapting the Kodaly approach in the Irish secondary school music classroom (MEd, Other, 2014) |
Mon, 12/05/2014 - 15:38 |
| 660 |
Willie Hughes, Cultural collision and the emergence of new musical traditions (MA, Other, 2000) |
Wed, 04/12/2013 - 08:33 |
| 659 |
Marie Girardeau, L’Uilleann pipes, cornemuse Irlandaise: Caractéristiques de jeu et répertoire (MA, Other, 2004) |
Wed, 10/07/2013 - 13:22 |
| 654 |
Deborah L. Rapuano, Every drop hollows the stone : An ethnographic study of traditional Irish music pub sessions (PhD, Other, 2005) |
Wed, 10/07/2013 - 12:59 |
| 653 |
John Moulden, The printed ballad in Ireland: A guide to the popular printing of songs in Ireland 1760–1920 (PhD, Other, 2006) |
Wed, 10/07/2013 - 12:54 |
| 652 |
Jerry Kerlin, The transmission of song among the New York Irish: Teaching, learning, and Irish sensibility (PhD, Other, 2005) |
Wed, 10/07/2013 - 12:45 |
| 651 |
Sheaukang Hew, Irish music in central Oklahoma: An ethnographic study (Other, Other, 2006) |
Wed, 10/07/2013 - 12:39 |
| 650 |
Michael D. Nicholsen, ‘Auld sod’ and new turf: Entertainment, nationalism, and identity in the Irish traditional music community of Chicago, 1868–1999 (PhD, Other, 20… |
Wed, 10/07/2013 - 12:34 |
| 649 |
Kieran Patrick Brown, The political use of song lyric and verse in Irish nationalism 1900–1916 (MA, Other, 2008) |
Wed, 10/07/2013 - 12:23 |
| 645 |
Donna Thurston, Irish music in Wellington: A study of a local music community (MA, Other, 2010) |
Wed, 10/07/2013 - 11:52 |
| 644 |
Dan Milner, The coalesence of the American popular song idiom: New York, 1820 (MA, Other, 2009) |
Wed, 10/07/2013 - 11:49 |
| 643 |
A. Trotter, Tap dance : The lost art form regained (BA, Other, 2010) |
Wed, 10/07/2013 - 11:44 |
| 642 |
Scott Spencer, The piper calls the tune: How uilleann bagpipers averted obsolescence through technology, networks and community (PhD, Other, ) |
Wed, 10/07/2013 - 11:39 |
| 641 |
Roxanne O’Connell, The golden age of Irish music: The cultural impact of 78 rpm recordings in Ireland and Irish America 1900–1960 (PhD, Other, 2010) |
Wed, 10/07/2013 - 11:34 |
| 640 |
Stacie Lee Rossow, The choral music of the Irish composer Michael McGlynn (Other, Other, 2010) |
Wed, 10/07/2013 - 11:03 |
| 638 |
Tes Slominski, Music, gender, and the public sphere in twentieth-century Ireland (PhD, Other, 2010) |
Wed, 10/07/2013 - 10:52 |
| 637 |
Doris Maul Fair, Billy's box: Material culture, musical idiom, and musicianship in Irish button accordion (PhD, Other, 2009) |
Wed, 10/07/2013 - 10:46 |