Browse theses

Found: 34   See also special searches (institutions, degrees, specialisms).
ID Author, title, degree, institution, year/status last updated Sort ascending
966 Molly Adams-Toomey, Communicating meaning in Petr Eben's Písne nelaskavé: a performance perspective (DMusPerf, Royal Irish Academy of Music, 2023) Mon, 08/05/2023 - 09:13
833 Pedro Lopez Lopez, A study of Teatro de los Caños del Peral within the European framework (1787-1799): performing conditions of Italian opera and ballet d'action… Sat, 06/05/2023 - 12:37
965 Didzis Kalninš, An investigation of Janis Medinš’s Piano Sonata (1946): historical context, analysis, editing and performance (BMusPerf, Royal Irish Academy… Sun, 30/04/2023 - 12:02
964 Adrian Mantu, Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016 (DMusPerf, Royal Irish Academy of Music, 2023) Thu, 27/04/2023 - 12:47
946 Billy O'Brien, 'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs (DMusPerf, Royal Irish A… Thu, 16/03/2023 - 15:00
945 Madeline Judge, Alan Louis Smith's Vignettes: Covered Wagon Woman: a historical and musical analysis from a performer's perspective (DMusPerf, Roy… Thu, 02/02/2023 - 17:02
960 Soo-Jung Ann, Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in… Tue, 04/10/2022 - 11:47
943 Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPe… Fri, 08/07/2022 - 18:12
942 Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DM… Fri, 29/04/2022 - 10:24
824 Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusP… Tue, 15/03/2022 - 11:31
955 Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021) Thu, 28/10/2021 - 11:35
951 Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021) Fri, 21/05/2021 - 13:53
947 Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progr… Mon, 25/01/2021 - 14:42
944 Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020… Tue, 15/12/2020 - 16:42
939 Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 201… Thu, 10/12/2020 - 14:41
940 Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018) Thu, 10/12/2020 - 14:39
463 Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music, 2016)… Sat, 05/12/2020 - 12:13
941 Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020) Fri, 04/12/2020 - 12:09
938 William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019) Thu, 03/12/2020 - 15:02
400 Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music, 2009) Thu, 03/12/2020 - 12:39