Browse theses

Found: 16   See also special searches (institutions, degrees, specialisms).
ID Author, title, degree, institution, year/status last updated Sort ascending
952 David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019) Sat, 29/05/2021 - 14:26
512 Celia Donoghue, The Duo Sonatas of Johannes Brahms (MLitt, Trinity College Dublin, 1988) Mon, 17/06/2013 - 12:19
475 Jonathan Hodgers, 'I can tell you fancy, I can tell you plain': Bob Dylan and the Cinematic Image (PhD, Trinity College Dublin), in progress Tue, 24/01/2012 - 20:36
459 Keith Hennigan, Interactive Musical Release Formats (PhD, Trinity College Dublin), in progress Tue, 10/01/2012 - 16:11
458 Róisín Blunnie, The Early Choral Works of Edward Elgar (1857-1934) in the Context of Late-Victorian British Idealism (PhD, Trinity College Dublin, 2013) Mon, 09/01/2012 - 21:20
457 Jarlath Jennings, Can Technology Help Keep Opera Alive and Relevent to 21st Century Audiences in Ireland (MLitt, Trinity College Dublin, 2011) Mon, 09/01/2012 - 18:55
456 Seán Doherty, Solfaing: The Evolution of Four-Syllable Solmization (PhD, Trinity College Dublin), in progress Mon, 09/01/2012 - 18:18
405 George Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College… Sun, 24/01/2010 - 22:06
351 Kerry Houston, The Eighteenth-Century Music Manuscripts at St Patrick's Cathedral, Dublin: Sources, Lineage and Relationship to other collections (PhD, Trinity C… Fri, 18/01/2008 - 13:27
205 Laura Farrell, Modal practice in the early 17th century with special attention to the music of Heinrich Schutz (MLitt, Trinity College Dublin, 1996) Thu, 20/12/2007 - 20:09
204 Rebekka Fritz, "Worte klingen, Tone sprechen"? Text and music in German operas of the 1920s (PhD, Trinity College Dublin, 1996) Thu, 20/12/2007 - 20:02
169 Sharon Stephanie Power, An instrument of psychological warfare and a source of solace; music in the films of Leni Riefenstahl (MLitt, Trinity College Dublin, 2011)… Mon, 10/12/2007 - 12:47
848 Matteo Cullen, Positive Vibrations: Musical Communities in African Dublin (MPhil, Trinity College Dublin, 2003) Fri, 07/12/2007 - 09:26
165 Alison Margaret Hood, Chopin's Strategic Integration of Rhythm and Pitch: A Schenkerian Perspective (PhD, Trinity College Dublin, 2003) Thu, 06/12/2007 - 12:07
159 Barra Boydell, Renaissance Windcap Instruments (PhD, Trinity College Dublin, 1981) Mon, 03/12/2007 - 18:07
158 Nicole Grimes, Brahms's Critics: Continuity and Discontinuity in the Critical Reception of Johannes Brahms (PhD, Trinity College Dublin, 2007) Mon, 03/12/2007 - 08:54