934 |
Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021) |
Thu, 05/08/2021 - 12:54 |
172 |
Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011) |
Tue, 07/05/2019 - 17:45 |
922 |
Rory James Corbett, A Self-Reflexive Clawhammer Banjo-ology (MA, University College Cork, 2018) |
Tue, 09/04/2019 - 08:51 |
895 |
Bridget Knowles, The piano concertos of J.B. Cramer with editions of Concerto no.1 op.10 and Concerto No.6 op.51 (MA, University College Cork, 1993) |
Tue, 03/05/2016 - 10:10 |
636 |
Breda McKinney, Song of Eoghan: The tradition of singing in Inishowen, Co. Donegal (MPhil, University College Cork, 2004) |
Wed, 10/07/2013 - 10:41 |
504 |
James Millea, Inglourious Intertextuality: Music and Meaning in the Soundtrack of Quentin Tarantino's "Inglourious Basterds" (MA, University College Co… |
Tue, 05/03/2013 - 21:21 |
446 |
David Kearney, Towards a regional understanding of Irish traditional music (PhD, University College Cork, 2010) |
Sat, 22/10/2011 - 17:52 |
872 |
Jessica Cawley, The Development of Musicality in Irish Traditional Music: An Ethnography on a Community of Practice (PhD, University College Cork), in progress |
Thu, 12/05/2011 - 13:18 |
401 |
Orlene Denice McMahon, Challenging Conventions: An Audiovisual Collaboration from the 'First Wave' of Irish Film (MA, University College Cork, 2006) |
Sat, 17/10/2009 - 21:48 |
363 |
Michelle Finnerty, Connecting Community and Curriculum: The Role of Music in Primary Level Education in Ireland (MPhil, University College Cork, 2008) |
Mon, 15/09/2008 - 21:25 |
360 |
Louise O Riordan, Music and Sound in the films of David Lynch (PhD, University College Cork), in progress |
Thu, 19/06/2008 - 08:56 |
355 |
Peter J D Scott, The Life and Works of William Damon, Queen’s Musician (MA, University College Cork, 1986) |
Fri, 08/02/2008 - 17:05 |
271 |
Claire Launchbury, Cross-fertilisation of genre in Guillaume de Machaut (MPhil, University College Cork, 1999) |
Sat, 29/12/2007 - 19:24 |
220 |
Declan Whitston, The history of the saxophone with an analysis of selected music by Escudie, Glazounov, Creston and Dwyer (MA, University College Cork, 1996) |
Thu, 20/12/2007 - 21:48 |
219 |
Donncha Sean O Maidin, A programmer's environment for music analysis (PhD, University College Cork, 1995) |
Thu, 20/12/2007 - 21:46 |
218 |
James L. Evans, The choral music of Petr Eben (MA, University College Cork, 1995) |
Thu, 20/12/2007 - 21:44 |
217 |
Philomena Duffy, Jacques Ibert: un chevalier errant (MA, University College Cork, 1995) |
Thu, 20/12/2007 - 21:43 |
216 |
William Brazil, Popular music - a primary factor in cultural/national identity (MA, University College Cork, 1995) |
Thu, 20/12/2007 - 21:42 |
215 |
Marion Leen, Capriani Potter's Shakespeare Overtures (MA, University College Cork, 1994) |
Thu, 20/12/2007 - 21:34 |
214 |
Susan Crummy, A critical edition with commentary of the trio sonatas of John Ravenscroft (MA, University College Cork, 1994) |
Thu, 20/12/2007 - 21:32 |