958 |
Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018) |
Sat, 12/03/2022 - 12:14 |
828 |
John Brendan McCloskey, inGrid: A new tactile, tangible and accessible digital musical instrument for enhanced creative independence amongst musicians with… |
Tue, 03/05/2016 - 10:26 |
797 |
Jonathan Doherty, Song form intelligence for repairing streaming music across wireless bursty networks (PhD, University of Ulster, 2010) |
Wed, 22/01/2014 - 13:36 |
796 |
Julie Patricia Sutton, "The invisible handshake": An investigation of free musical improvisation as a form of conversation (PhD, University of Ul… |
Wed, 22/01/2014 - 13:14 |
795 |
Patrick Denis Butler, By popular demand: Marketing change in the arts (DPhil, University of Ulster, 2000) |
Wed, 22/01/2014 - 13:11 |
794 |
Paul Maguire, Conditions of possibility: Changes in popular music culture and the development of Country & Irish music (PhD, University of Ulster, 2012)… |
Wed, 22/01/2014 - 13:05 |
793 |
Richard Graham, Expansion of electronic guitar performance practice through the application and development of interactive digital music systems (PhD, University of U… |
Wed, 22/01/2014 - 13:00 |
792 |
Mark McKnight, Contemporary jazz guitar performance: perspectives on the development of improvisational language (PhD, University of Ulster, 2012) |
Wed, 22/01/2014 - 12:57 |
791 |
Christopher Norby, Maintaining pleasure in composition; personal and philosophical issues affecting my work as a composer (PhD, University of Ulster, 2011) |
Wed, 22/01/2014 - 12:51 |
350 |
Margaret Ross, A folio of original compositions with commentaries (MPhil, University of Ulster, 2003) |
Thu, 17/01/2008 - 19:24 |
349 |
Leona McWilliams, Vaughan Williams, Stravinsky, Britten and the Latin Mass (MA, University of Ulster, 2002) |
Thu, 17/01/2008 - 19:22 |
348 |
Geoffrey McConnell, Stanford's preoccupation with the organ sonata,1917-1918 (MA, University of Ulster, 2002) |
Thu, 17/01/2008 - 19:21 |
347 |
Jonathan R. J. Drennan, The masses of Giovanni Rovetta : in two volumes (PhD, University of Ulster, 2002) |
Thu, 17/01/2008 - 19:19 |
346 |
Brian Irvine, Portfolio of music compositions and supporting commentary (DPhil, University of Ulster, 2001) |
Thu, 17/01/2008 - 19:17 |
345 |
Aiveen A. Tomany, Gendering music : a case study of the Irish-American composer Jane O'Leary (MA, University of Ulster, 2001) |
Thu, 17/01/2008 - 19:14 |
344 |
Frances Burgess, Music of continuous and coherent change : musical structure and poetry in Elliott Carter's 'In sleep, in thunder' (MA, University of U… |
Thu, 17/01/2008 - 19:12 |
343 |
Frances McCann, Perspectives on selected recordings of the Rite of Spring (1960-1992) (MA, University of Ulster, 2001) |
Thu, 17/01/2008 - 19:11 |
342 |
Noel McLaughlin, Pop and the periphery : nationality, culture and Irish popular music (DPhil, University of Ulster, 2000) |
Thu, 17/01/2008 - 19:05 |
341 |
Peter Doherty, A folio of original compositions plus critical commentary (MA, University of Ulster, 1997) |
Thu, 17/01/2008 - 19:01 |
340 |
Gerard Campbell, Contempory west coast american music 1955-1975 (MA, University of Ulster, 1997) |
Thu, 17/01/2008 - 18:58 |