Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Jerry Fehily, Elvin Jones and the development of jazz rhythms and drumming techniques (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 475, last updated
 

Gavin Ryan, Major project: programme report (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 474, last updated
 

Celia Donoghue, The Duo Sonatas of Johannes Brahms (MLitt, Trinity College Dublin, 1988).  Thesis submission ID 473, last updated
 

Karen A. Vaughan, Exploring the teaching and learning of Irish traditional music and web-based technology in a disadvantaged primary school context (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 472, last updated
 

Nicola Shaughnessy, Sing it in Solfa: the contribution of solfa teaching on primary school children’s music literacy development (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 471, last updated
 

Úna Mc Loughlin, Towards a creative music classroom: an investigation into teachers’ practice of the composing strand in the Irish primary school (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 470, last updated
 

Lena Hally, Understanding the YouTube musician: the four-fold nature of YouTube musical culture (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 469, last updated
 

Ciara Doyle, Primary teachers’ experiences of and attitudes to multicultural music education: a case study of urban and rural contexts (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 468, last updated
 

Thomas Charles Marshall, The music theory of Satsuma biwa as taught by Yoshinori Fumon (Other, Royal Irish Academy of Music, 2012).  Thesis submission ID 467, last updated
 

Aaron Casey, 'Better a stream than a torrent': are digital music subscription services viable? (MA, Other, 2012).  Thesis submission ID 466, last updated
 

James Millea, Inglourious Intertextuality: Music and Meaning in the Soundtrack of Quentin Tarantino's "Inglourious Basterds" (MA, University College Cork, 2012).  Thesis submission ID 465, last updated
 

Brigitte Bark, Musical Dilettante? Anna Amalia of Saxe-Weimar-Eisenach (1739- 1807), Composer at the Weimar Court (MA, NUI Maynooth, 2012).  Thesis submission ID 464, last updated
 

Nadene Fiorentini, Between technical brilliance and musical substance: Robert Schumann's Piano concerto in A minor, op 54 (1845) (Other, Royal Irish Academy of Music, 2012).  Thesis submission ID 462, last updated
 

Marita Murray, Issues and challenges in secondary school music education in Ireland (MA, Cork Institute of Technology, School of Music, in progress).  Thesis submission ID 460, last updated
 

Maureen Clune, Musical performance as a mnemonic strategy for promoting literacy skills in the context of learning support (MEd, Mary Immaculate College, University of Limerick, 2004).  Thesis submission ID 457, last updated
 

Louise Carey, A comparison of music policies across commercial radio stations in Ireland (MA, Mary Immaculate College, University of Limerick, 2008).  Thesis submission ID 456, last updated
 

Brian Casley, Innovation in Irish traditional music. A study of group playing and the impact of technology (BA, Dundalk Institute of Technology, 2012).  Thesis submission ID 847, last updated
 

Brian Casley, The role of the mandolin in Irish traditional music (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 453, last updated
 

Éamonn De Barra, A Critical Analysis of Irish Traditional Flute Playing (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 452, last updated
 

Conor Ward, The Fiddle Tradition of Thomas Kernan: An analysis of the transmission of a fiddle style in oral and written tradition in South Leitrim and Longford (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 451, last updated
 

Karishmeh Felfeli, Music Theory, Tonality and Postcolonial Ireland (MA, University College Dublin, in progress).  Thesis submission ID 450, last updated
 

Ruth Stanley, A formative force: the BBC's role in the development of music and its audiences in Northern Ireland, 1924-39 (PhD, Queen’s University Belfast, 2011).  Thesis submission ID 449, last updated
 

Ruth Stanley, Joan Trimble (1915-2000) and the Issue of her 'Irish' Musical Identity (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 846, last updated
 

Natalie Doherty, The Search for Meaning & Values: Exploring Human Response to Oppression through Music (Other, Mater Dei Institute of Education, Dublin City University, 2010).  Thesis submission ID 845, last updated