Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
Miranda
Linden, The clarinet trio in contemporary Irish chamber music: A study of eight selected compositions (MA, NUI Maynooth, 2001). Thesis submission ID 699, last updatedDerek Anthony
Kelly, Jean Barraqué and Le Temps Restitué (MA, NUI Maynooth, 2001). Thesis submission ID 698, last updatedDeirdre
Dolan, The piano ballades of Fryderyk Chopin and Johannes Brahms (MA, NUI Maynooth, 2001). Thesis submission ID 697, last updatedJames
Byrne, Structural elements in the chamber music of Maurice Ravel (1875-1937) (MA, NUI Maynooth, 2001). Thesis submission ID 696, last updatedDavid T.
Stalling, An exploration of spatial aspects of composition in 20th century music (MA, NUI Maynooth, 2002). Thesis submission ID 695, last updatedConal
Rae, Casticismo, Joaquin Rodrigo, and the Spanish contribution to European music, 1814-1954 (MA, NUI Maynooth, 2002). Thesis submission ID 694, last updatedClíona
McDonough, The history of the Stabat mater dolorosa, with a critical analysis of the Stabat mater by Gioachino Rossini (MA, NUI Maynooth, 2002). Thesis submission ID 693, last updatedSinéad
Dooley, Rimsky-Korsakov and the legend of the invisible city of Kitezh (MA, NUI Maynooth, 2002). Thesis submission ID 692, last updatedDavid M.
Curran, Totally natural: Staged authenticity, art and a requirement for perfect details in the music industry (MA, NUI Maynooth, 2002). Thesis submission ID 691, last updatedBrian
Quigley, The music of Barry Guy (MA, NUI Maynooth, 2003). Thesis submission ID 690, last updatedMéabh
O’Reilly, The aesthetics and compositional methods of Luciano Berio: An exploration of the music and text of Laborintus II (MA, NUI Maynooth, 2003). Thesis submission ID 689, last updatedMark
Keane, The life and works of Bryan Hesford (MA, University of Limerick, 2002). Thesis submission ID 688, last updatedMark
Keane, The use of the Lutheran Chorale 'Nun komm der heiden heiland' in the organ works of J.S. Bach (BMus, Dublin Institute of Technology, 2000). Thesis submission ID 849, last updatedMargaret
McCann, The piano music of William Vincent Wallace (1812-1865) (MA, NUI Maynooth, 2003). Thesis submission ID 687, last updatedGráinne
Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003). Thesis submission ID 686, last updatedNuala
Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003). Thesis submission ID 685, last updatedStephen
Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004). Thesis submission ID 684, last updatedAonghus
Lynch, The random music generator (MA, NUI Maynooth, 2004). Thesis submission ID 683, last updatedClare
Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005). Thesis submission ID 682, last updatedBernie
Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005). Thesis submission ID 681, last updatedSimon
Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005). Thesis submission ID 680, last updatedJohn
Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005). Thesis submission ID 679, last updatedAlison
Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005). Thesis submission ID 678, last updatedFrank
Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005). Thesis submission ID 677, last updatedLena
Peterseil, An overview of the underlying theories of the perception of sound (MA, NUI Maynooth, 2005). Thesis submission ID 676, last updated