Found: 835 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Peter J D Scott, Ottaviano Petrucci’s Lamentationum liber primus and liber secundus (1506/1 and 1506/2); a bibliographical, contextual and analytical study (PhD, Durham University, 2005).  Thesis submission ID 827, last updated
 

Eamon Sweeney, The guitar and its role as an accompanying instrument in seventeenth- and early eighteenth-century France (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 315, last updated
 

Johanne Heraty, The Microtonal Music of Ezra Sims (PhD, University College Dublin, in progress).  Thesis submission ID 826, last updated
 

Johanne Heraty, "A Tone is a Living Cell": Ruth Crawford Seeger and Early American Modernism (MA, University College Dublin, 2005).  Thesis submission ID 314, last updated
 

Kerry Houston, The Eighteenth-Century Music Manuscripts at St Patrick's Cathedral, Dublin: Sources, Lineage and Relationship to other collections (PhD, Trinity College Dublin, 2002).  Thesis submission ID 312, last updated
 

Margaret Ross, A folio of original compositions with commentaries (MPhil, University of Ulster, 2003).  Thesis submission ID 311, last updated
 

Leona McWilliams, Vaughan Williams, Stravinsky, Britten and the Latin Mass (MA, University of Ulster, 2002).  Thesis submission ID 310, last updated
 

Geoffrey McConnell, Stanford's preoccupation with the organ sonata,1917-1918 (MA, University of Ulster, 2002).  Thesis submission ID 309, last updated
 

Jonathan R. J. Drennan, The masses of Giovanni Rovetta : in two volumes (PhD, University of Ulster, 2002).  Thesis submission ID 308, last updated
 

Brian Irvine, Portfolio of music compositions and supporting commentary (DPhil, University of Ulster, 2001).  Thesis submission ID 307, last updated
 

Aiveen A. Tomany, Gendering music : a case study of the Irish-American composer Jane O'Leary (MA, University of Ulster, 2001).  Thesis submission ID 306, last updated
 

Frances Burgess, Music of continuous and coherent change : musical structure and poetry in Elliott Carter's 'In sleep, in thunder' (MA, University of Ulster, 2001).  Thesis submission ID 305, last updated
 

Frances McCann, Perspectives on selected recordings of the Rite of Spring (1960-1992) (MA, University of Ulster, 2001).  Thesis submission ID 304, last updated
 

Noel McLaughlin, Pop and the periphery : nationality, culture and Irish popular music (DPhil, University of Ulster, 2000).  Thesis submission ID 303, last updated
 

Peter Doherty, A folio of original compositions plus critical commentary (MA, University of Ulster, 1997).  Thesis submission ID 302, last updated
 

Gerard Campbell, Contempory west coast american music 1955-1975 (MA, University of Ulster, 1997).  Thesis submission ID 301, last updated
 

Barry T. D. Holliday, "Dieses Aufblitzen eines Tanzrhythmus hier und da" : dance music in selected operas by Richard Strauss (MPhil, University of Ulster, 1997).  Thesis submission ID 300, last updated
 

Liam Gorry, Handel and his Accompanied Recitatives (PhD, Queen’s University Belfast, 2012).  Thesis submission ID 299, last updated
 

William Halpin, The Wind Band in Mozart's Operas (PhD, University of Connecticut, 2007).  Thesis submission ID 298, last updated
 

John J. Feeley, Classical Guitar Music by Irish Composers: Performing Editions and Critical Commentary (PhD, NUI Maynooth, 2006).  Thesis submission ID 297, last updated
 

Anna Maria Dore, How Can I Keep From Singing?: Enya and the Female Myth of Ireland (MA, University of Limerick, 2003).  Thesis submission ID 295, last updated
 

Fy Gadiot, German or Irish Soundscapes? Musical Mediation in Nazi-German Film (MA, University College Dublin, 2007).  Thesis submission ID 294, last updated
 

Gareth Cox, Die Sätze für Soloklavier aus der Studienzeit Anton Weberns (PhD, Albert-Ludwigs Universität, Freiburg im Breisgau, 1991).  Thesis submission ID 293, last updated
 

Fiona Michele Palmer, Domenico Dragonetti in England (1794-1846); the Career of a Double Bass Virtuoso (PhD, University of Birmingham, 1993).  Thesis submission ID 292, last updated
 

Barbara Marie Strahan, Schubert's Piano Duets: The Emergence of a Marginal Genre (PhD, NUI Maynooth, in progress).  Thesis submission ID 290, last updated