Found: 831 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Nadene Fiorentini, Between technical brilliance and musical substance: Robert Schumann's Piano concerto in A minor, op 54 (1845) (Other, Royal Irish Academy of Music, 2012).  Thesis submission ID 462, last updated
 

Yue Tang, Three milestones: an examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory (MA, Royal Irish Academy of Music, 2012).  Thesis submission ID 461, last updated
 

Marita Murray, Issues and challenges in secondary school music education in Ireland (MA, Cork Institute of Technology, School of Music, in progress).  Thesis submission ID 460, last updated
 

Maureen Clune, Musical performance as a mnemonic strategy for promoting literacy skills in the context of learning support (MEd, Mary Immaculate College, University of Limerick, 2004).  Thesis submission ID 457, last updated
 

Louise Carey, A comparison of music policies across commercial radio stations in Ireland (MA, Mary Immaculate College, University of Limerick, 2008).  Thesis submission ID 456, last updated
 

Brian Casley, The role of the mandolin in Irish traditional music (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 453, last updated
 

Brian Casley, Innovation in Irish traditional music. A study of group playing and the impact of technology (BA, Dundalk Institute of Technology, 2012).  Thesis submission ID 847, last updated
 

Éamonn De Barra, A Critical Analysis of Irish Traditional Flute Playing (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 452, last updated
 

Conor Ward, The Fiddle Tradition of Thomas Kernan: An analysis of the transmission of a fiddle style in oral and written tradition in South Leitrim and Longford (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 451, last updated
 

Karishmeh Felfeli, Music Theory, Tonality and Postcolonial Ireland (MA, University College Dublin, in progress).  Thesis submission ID 450, last updated
 

Ruth Stanley, A formative force: the BBC’s role in the development of music and its audiences in Northern Ireland, 1924-39 (PhD, Queen’s University Belfast, 2011).  Thesis submission ID 449, last updated
 

Ruth Stanley, Joan Trimble (1915-2000) and the Issue of her 'Irish' Musical Identity (MA, Mary Immaculate College, University of Limerick, 2003).  Thesis submission ID 846, last updated
 

Natalie Doherty, The Search for Meaning & Values: Exploring Human Response to Oppression through Music (Other, Mater Dei Institute of Education, Dublin City University, 2010).  Thesis submission ID 845, last updated
 

Natalie Doherty, The Cathartic Role of Music in the Theresienstadt Ghetto, 1941-1945 (MA, NUI Maynooth, 2012).  Thesis submission ID 448, last updated
 

Geraldine Nolan Spada, Portfolio of compositions with critical commentary (MLitt, University College Dublin, 1999).  Thesis submission ID 844, last updated
 

Geraldine Nolan Spada, A portfolio of original compositions for symphony orchestra and chamber group & thesis: 'Compositional Philosophy and the Musical Idea' (PhD, University College Dublin, 2008).  Thesis submission ID 447, last updated
 

Ita T. Monaghan, The value of opera in education with specific reference to Irish Primary Schools (MEd, Mary Immaculate College, University of Limerick, 2004).  Thesis submission ID 446, last updated
 

Jillian Bridge, A study and survey of creativity in the piano lesson and its significance within the examination syllabi in Ireland (MA, Mary Immaculate College, University of Limerick, 2005).  Thesis submission ID 445, last updated
 

Majella Boland, John Field in Context: a Reappraisal of the Nocturne and Piano Concerti (PhD, University College Dublin, 2013).  Thesis submission ID 444, last updated
 

A. Paul McKeever, Aspects of Organ-Building in Ireland in the Nineteenth Century, referencing White, Telford, and Post-Emancipation Choral Practice (PhD, University of Limerick, 2012).  Thesis submission ID 443, last updated
 

Emily Cullen, Meanings and Cultural Functions of the Irish Harp as Trope, Icon and Instrument: The Construction of an Irish Self-Image (PhD, NUI Galway, 2008).  Thesis submission ID 441, last updated
 

Cormac Crawley, Portfolio of Soundscape and Installation Based Music (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 440, last updated
 

Cormac Crawley, Envirosoundometer: For Wind, Rain and Sunlight. The Development of an Interactive Audio Installation (MA, Dundalk Institute of Technology, 2009).  Thesis submission ID 843, last updated
 

Eoin Tierney, A study of the pipe organ in the Catholic Archdiocese of Dublin from 1900, with particular reference to its development in the post-Vatican II era (MPhil, Dublin Institute of Technology, in progress).  Thesis submission ID 437, last updated
 

Eoin Tierney, John Marsh, eighteenth-century organ pedagogue (MA, NUI Maynooth, 1999).  Thesis submission ID 842, last updated