Found: 47 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
Shane
Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018). Thesis submission ID 902, last updatedRobin
Renwick, SourceNode: A Software Application for Network Music Performance (MSc, Cork Institute of Technology, School of Music, 2011). Thesis submission ID 837, last updatedDonncha Sean
O Maidin, A programmer's environment for music analysis (PhD, University College Cork, 1995). Thesis submission ID 180, last updatedSteven
Yi, Extensible Computer Music Systems (PhD, NUI Maynooth, 2016). Thesis submission ID 792, last updatedJohn Brendan
McCloskey, inGrid: A new tactile, tangible and accessible digital musical instrument for enhanced creative independence amongst musicians with quadriplegic cerebral palsy (PhD, University of Ulster, 2014). Thesis submission ID 789, last updatedJonathan
Doherty, Song form intelligence for repairing streaming music across wireless bursty networks (PhD, University of Ulster, 2010). Thesis submission ID 758, last updatedSimon
Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005). Thesis submission ID 680, last updatedCian
O’Flanagan, Automatic pitch recognition: A discussion and software implementation (MA, NUI Maynooth, 2005). Thesis submission ID 674, last updatedJohn
Glover, Sinusoids, noise and transients : Spectral analysis, feature detection and real-time transformations of audio signals for musical applications (PhD, NUI Maynooth, 2012). Thesis submission ID 644, last updatedPatrick Joseph
Garvey, A VST plugin for emulation of 'automatic double tracking' (Other, Cork Institute of Technology, School of Music, 2013). Thesis submission ID 639, last updatedBrian
Leach, The building of an analogue voltage-controlled modular musical synthesiser and the exploration of its mode of sound production (Other, Cork Institute of Technology, School of Music, 2012). Thesis submission ID 632, last updatedBrian
Casey, Art, technology and the future of musicianship: Questions of balance between live performance and the recorded medium in popular music (MA, Cork Institute of Technology, School of Music, 2011). Thesis submission ID 631, last updatedStephen
Collender, Exploring the aesthetic of spatial motion with binaural synthesis (Other, Cork Institute of Technology, School of Music, 2011). Thesis submission ID 630, last updatedKeith C.
Clancy, Digital manuscript book: Investigation into technologies and features for the design of a purpose built digital music manuscript reader (Other, Cork Institute of Technology, School of Music, 2010). Thesis submission ID 629, last updatedRon
Healy, Digital audio watermarking for broadcast monitoring and content identification (Other, NUI Maynooth, 2010). Thesis submission ID 628, last updatedRonan
Kelly, Automatic transcription of polyphonic music using a note masking technique (Other, University of Limerick, 2010). Thesis submission ID 627, last updatedMark
Leddy, Blind single channel sound source separation (MPhil, Dublin Institute of Technology, 2010). Thesis submission ID 587, last updatedJoseph
McKay, Automatic musical instrument identification (MPhil, Dublin Institute of Technology, 2011). Thesis submission ID 586, last updatedJane
Charles, Playing technique and violin timbre: Detecting bad playing (PhD, Dublin Institute of Technology, 2010). Thesis submission ID 585, last updatedAlan
O Cinneide, Phase-distortion-robust-voice-source analysis (PhD, Dublin Institute of Technology, 2012). Thesis submission ID 584, last updatedDavid
Dorran, Audio time-scale modification (PhD, Dublin Institute of Technology, 2005). Thesis submission ID 582, last updatedJ
McMonagle, The creation of a software synthesizer plug-in and interface (MA, Dublin Institute of Technology, 2003). Thesis submission ID 576, last updatedCon
Horgan, Adaptive radiation (MA, Dublin Institute of Technology, 2000). Thesis submission ID 554, last updatedKevin
Murray, Place I-III: A suite of electroacoustic compositions (MA, Dublin Institute of Technology, 2000). Thesis submission ID 549, last updatedMaurette
Kirwan, The influence of technology on the dance music genre and the composition of pattern-based music (MA, Dublin Institute of Technology, 2003). Thesis submission ID 547, last updated