Found: 47 thesis records, listed in most-recent order. Click on a thesis's title to display full details.

Sarah Barry, An assessment of the role of technology in Irish post-primary music education (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 542, last updated
 

Claire Conway, How an environment and technology have shaped soundscape music (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 527, last updated
 

Siobhan Fanning, An investigation of the use of the DUET algorithm for the separation of musical signals (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 521, last updated
 

Gavin Ryan, Major project: programme report (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 474, last updated
 

Cormac Crawley, Envirosoundometer: For Wind, Rain and Sunlight. The Development of an Interactive Audio Installation (MA, Dundalk Institute of Technology, 2009).  Thesis submission ID 843, last updated
 

Keith Hennigan, Interactive Musical Release Formats (PhD, Trinity College Dublin, in progress).  Thesis submission ID 420, last updated
 

Jarlath Jennings, Can Technology Help Keep Opera Alive and Relevent to 21st Century Audiences in Ireland (MLitt, Trinity College Dublin, 2011).  Thesis submission ID 418, last updated
 

Sean Shanagher, MP3 and the emerging online music industry (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 404, last updated
 

Owen Tighe, The automation and synchronisation of a multi-track digital mixer environment, using midi messages and a sequencing package (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 402, last updated
 

Brian Vaughan, Masters Composition: From Tomb to Womb (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 401, last updated
 

Charlie Cullen, ScoGen software development project (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 835, last updated
 

Charlie Cullen, The Sonic Representation of Mathematical Data (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 393, last updated
 

Derry Fitzgerald, Automatic Drum Transcription and Source Separation (PhD, Dublin Institute of Technology, 2004).  Thesis submission ID 390, last updated
 

Ian R. O’Keeffe, Creation and investigation of an interactive system for the emotive transformation of music (PhD, University of Limerick, 2008).  Thesis submission ID 387, last updated
 

Bryan Duggan, Machine annotation of traditional Irish dance music (MA, Dublin Institute of Technology, 2009).  Thesis submission ID 386, last updated
 

Padraic Lavin, A Similarity Matrix for Irish Traditional Dance Music (MA, Dublin Institute of Technology, 2010).  Thesis submission ID 383, last updated
 

Damian O’Regan, Music Copyright via the Internet (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 381, last updated
 

Mikel Gainza, Music transcription within Irish traditional music (PhD, Dublin Institute of Technology, 2006).  Thesis submission ID 380, last updated
 

Brian Carty, Movements in Binaural Space: Issues in HRTF Interpolation and Reverberation, with applications to Computer Music (PhD, NUI Maynooth, 2010).  Thesis submission ID 377, last updated
 

Brian Carty, Sound localisation : A discussion and software implementation (MA, NUI Maynooth, 2004).  Thesis submission ID 834, last updated
 

Daniel Walsh, The Design and Evaluation of Prototype Software for Teaching and Learning Chord Progression in Music (MA, St Patrick’s College, Dublin City University, 2004).  Thesis submission ID 244, last updated
 

John McEvilly, Aesthetic concerns in the composition and reception of electronic music (MA, Queen’s University Belfast, 1998).  Thesis submission ID 226, last updated