Search by general specialism

John O’Flynn, Perceptions of Irishness in Irish music: A sociological study of national identity and music (PhD, University of London, 2004).  Thesis submission ID 374, last updated 31/08/2023 - 16:30
 

Emma Arthur, Art Music and Music Education in Irish Convent Schools, 1830-1900: A Preliminary Survey and Interpretation of the Primary Sources (MMus, University College Dublin, 2023).  Thesis submission ID 955, last updated 29/08/2023 - 16:51
 

Didzis Kalninš, An investigation of Janis Medinš’s Piano Sonata (1946): historical context, analysis, editing and performance (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 948, last updated 28/08/2023 - 16:28
 

Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th-century Britain (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 929, last updated 07/06/2023 - 16:26
 

Molly Adams-Toomey, Communicating meaning in Petr Eben's Písne nelaskavé: a performance perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 949, last updated 08/05/2023 - 08:13
 

Pedro Lopez Lopez, A study of Teatro de los Caños del Peral within the European framework (1787-1799): performing conditions of Italian opera and ballet d'action in late eighteenth-century Madrid (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 794, last updated 06/05/2023 - 11:37
 

Adrian Mantu, Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016 (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 946, last updated 27/04/2023 - 11:47
 

Áine Mulvey, Song Literature in Ireland: The Influence of the Irish Cultural Revival (1891-1922) (PhD, Dublin City University, 2022).  Thesis submission ID 895, last updated 08/04/2023 - 13:07
 

Billy O'Brien, 'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 927, last updated 16/03/2023 - 15:00
 

Madeline Judge, Alan Louis Smith's Vignettes: Covered Wagon Woman: a historical and musical analysis from a performer's perspective (DMusPerf, Royal Irish Academy of Music, 2023).  Thesis submission ID 926, last updated 02/02/2023 - 17:02
 

Roslyn Steer, Beyond Boundaries: The Aesthetics of the Scream in the Music of the Second Viennese School (PhD, Maynooth University, 2022).  Thesis submission ID 944, last updated 05/10/2022 - 14:32
 

Soo-Jung Ann, Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in E flat major, Op. 35 (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 943, last updated 04/10/2022 - 10:47
 

Laura Sheils, A Comparative Analysis of Irish Contemporary Choral Composers' Innovative Approaches to Text-Setting (MA, Dublin City University, 2021).  Thesis submission ID 942, last updated 15/08/2022 - 15:50
 

Patrice Keegan, From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five contemporary pieces for solo organ (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 924, last updated 08/07/2022 - 17:12
 

Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 923, last updated 29/04/2022 - 09:24
 

Sylvia O Brien, Implications of collaboration: the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965) (DMusPerf, Royal Irish Academy of Music, 2022).  Thesis submission ID 785, last updated 15/03/2022 - 11:31
 

Clare Wilson, Reimagining the Mélodie: An Analysis of the Musico-poetic Expression of André Caplet (PhD, University of Ulster, 2018).  Thesis submission ID 941, last updated 12/03/2022 - 12:14
 

Kevin Boushel, Towards the New Transcendental: Stylistic Trends in A Cappella Choral Music in the United States (PhD, Dublin City University, in progress).  Thesis submission ID 939, last updated 15/02/2022 - 09:08
 

Kevin Boushel, The Choral Music of Knut Nystedt and its Influence on Late-Twentieth- and Early-Twenty-First-Century Composers in the United States (MA, Dublin City University, 2021).  Thesis submission ID 940, last updated 15/02/2022 - 09:07
 

Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021).  Thesis submission ID 938, last updated 28/10/2021 - 10:35
 

Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen’s University Belfast, 2021).  Thesis submission ID 937, last updated 30/09/2021 - 13:33
 

Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Maynooth University, 2021).  Thesis submission ID 936, last updated 27/09/2021 - 18:48
 

Karishmeh Felfeli-Crawford, Music Analysis: Erasure (1985-2020) and Beyond (PhD, University College Cork, 2021).  Thesis submission ID 904, last updated 05/08/2021 - 11:54
 

David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019).  Thesis submission ID 935, last updated 29/05/2021 - 13:26
 

Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021).  Thesis submission ID 934, last updated 21/05/2021 - 12:53