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Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014)

  • Read more about Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014)
These details defined Sun Feb 14 22:56:46 2021, last updated Tue Feb 16 18:11:36 2021  edit
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Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (MA, Dundalk Institute of Technology, 2021)

  • Read more about Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (MA, Dundalk Institute of Technology, 2021)
These details defined Fri Feb 5 15:22:13 2021, last updated Mon Feb 8 15:38:37 2021  edit
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Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th century Britain (PhD, Dundalk Institute of Technology), in progress

  • Read more about Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th century Britain (PhD, Dundalk Institute of Technology), in progress
These details defined Tue Feb 2 15:24:35 2021, last updated Fri Feb 5 11:05:39 2021  edit
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Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progress

  • Read more about Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progress
These details defined Thu Jan 21 14:22:48 2021, last updated Mon Jan 25 14:42:57 2021  edit
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Billy O'Brien, Connecting abstract values to artistic choices: The significance of the themes of death and melancholy in Maurice Ravel's Miroirs and implications for interpretation and performance. (DMusPerf, Royal Irish Academy of Music), in progress

  • Read more about Billy O'Brien, Connecting abstract values to artistic choices: The significance of the themes of death and melancholy in Maurice Ravel's Miroirs and implications for interpretation and performance. (DMusPerf, Royal Irish Academy of Music), in progress
These details defined Fri Dec 18 17:02:56 2020, last updated Mon Jan 25 15:02:31 2021  edit
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Madeline Judge, Vignettes: Covered Wagon Woman: A performer's perspective (DMusPerf, Royal Irish Academy of Music), in progress

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These details defined Thu Dec 17 16:35:02 2020  edit
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Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020)

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These details defined Tue Dec 15 16:42:14 2020  edit
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Patrice Keegan, Ancient to Avant-Garde: The progression of the organ in Ireland. (DMusPerf, Royal Irish Academy of Music), in progress

  • Read more about Patrice Keegan, Ancient to Avant-Garde: The progression of the organ in Ireland. (DMusPerf, Royal Irish Academy of Music), in progress
These details defined Tue Dec 15 16:29:32 2020  edit
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Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing and composition in Ireland (DMusPerf, Royal Irish Academy of Music), in progress

  • Read more about Fearghal Ó Conchubhair, The influence of the Cork International Choral Festival on choral singing and composition in Ireland (DMusPerf, Royal Irish Academy of Music), in progress
These details defined Sat Dec 12 16:33:00 2020  edit
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Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020)

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These details defined Fri Dec 4 12:09:56 2020  edit
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