Matthew Mazanek, Implicit curriculum: improvisation pedagogy in guitar methods 1760-1860 (DMusPerf, Royal Irish Academy of Music, 2021)
| These details defined Thu Oct 28 11:35:09 2021 | edit |
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Bryan A. Whitelaw, Franz Liszt's Sonata Narratives: Large-Scale Forms at the Weimar Court (PhD, Queen's University Belfast, 2021)
| These details defined Thu Sep 30 14:33:14 2021 | edit |
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Cathal Twomey, 'To Catch the Song': Word-Setting, Creative Collaboration, and the Reader-Listener in Handel's English-Language Works (PhD, Maynooth University, 2021)
| These details defined Mon Sep 27 19:48:23 2021 | edit |
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David Michael O'Shea, The Choral Foundation of the Chapel Royal, Dublin Castle, 1814–1922 (PhD, Trinity College Dublin, 2019)
| These details defined Sat May 29 14:26:18 2021 | edit |
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Kenneth Edge, Reimagining the saxophone: preparing works by six Irish composers for performance - a first history (DMusPerf, Royal Irish Academy of Music, 2021)
| These details defined Fri May 21 13:53:52 2021 | edit |
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Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014)
| These details defined Sun Feb 14 22:56:46 2021, last updated Tue Feb 16 18:11:36 2021 | edit |
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Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (MA, Dundalk Institute of Technology, 2021)
| These details defined Fri Feb 5 15:22:13 2021, last updated Mon Feb 8 15:38:37 2021 | edit |
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Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th century Britain (PhD, Dundalk Institute of Technology), in progress
| These details defined Tue Feb 2 15:24:35 2021, last updated Fri Feb 5 11:05:39 2021 | edit |
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Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music), in progress
| These details defined Thu Jan 21 14:22:48 2021, last updated Mon Jan 25 14:42:57 2021 | edit |
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Billy O'Brien, Connecting abstract values to artistic choices: The significance of the themes of death and melancholy in Maurice Ravel's Miroirs and implications for interpretation and performance. (DMusPerf, Royal Irish Academy of Music), in progress
| These details defined Fri Dec 18 17:02:56 2020, last updated Mon Jan 25 15:02:31 2021 | edit |
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