Found: 817 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Alma B. Ní Riain, Lyrical learning: an action research study investigating the value of integrating song-singing into the Irish language classroom (BA, Mary Immaculate College, University of Limerick, 2013).  Thesis submission ID 769, last updated

Rachel Hayes, “We’re all in this together”: an ethnographic study of the holistic experience of an Irish school musical (MA, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 768, last updated

Shane Greene, Exploring the goals of the National Children’s Strategy: Our Children-Their Lives (2000) through the implementation of a choral music-making project at primary level (MEd, Mary Immaculate College, University of Limerick, 2012).  Thesis submission ID 767, last updated

Angela Horgan Goff, Cultural Constructs of National Identity in Irish Saga-Inspired Musical Composition (PhD, Waterford Institute of Technology, 2014).  Thesis submission ID 766, last updated

Declan Plummer, 'Music based on worth': The conducting career of Sir Hamilton Harty (PhD, Queen’s University Belfast, 2011).  Thesis submission ID 765, last updated

Peter Manning, Sondheim's Sweeney Todd: A Study (MA, NUI Maynooth, in progress).  Thesis submission ID 764, last updated

Anja Bunzel, 'Das Paradies und die Peri' von Robert Schumann: Untersuchung zur Rezeptionsgeschichte der 'Peri' in Dublin und Leipzig im Zeitraum von 1843-1854 (MA, Freie Universität Berlin, 2012).  Thesis submission ID 853, last updated

Lynn Sullivan, Adapting the Kodaly approach in the Irish secondary school music classroom (MMus, Silver Lake College of the Holy Family, Wisconsin, 2014).  Thesis submission ID 762, last updated

Geraldine Cotter, Institutional and Social Teaching, Learning and Performing of Irish Traditional Music in Ennis, County Clare 1961-1980 (PhD, University of Limerick, 2014).  Thesis submission ID 761, last updated

Geraldine Cotter, Piano Practice (MA, University of Limerick, 2005).  Thesis submission ID 852, last updated

Philip Horan, 'The bamboo and Zen are One!': The Conceptualisation of Tone in the Shakuhachi Tradition (MA, University of Limerick, 2002).  Thesis submission ID 760, last updated

Philip Horan, Bohuslav Martinu: A discussion of his flute works in relation to his life and compositional style (BA, NUI Maynooth, 1994).  Thesis submission ID 851, last updated

Deirbhile Brennan, Exploring the attitudes and preferences of an Irish audience towards classical music and its performance (MA, Royal Irish Academy of Music, 2013).  Thesis submission ID 759, last updated

Jonathan Doherty, Song form intelligence for repairing streaming music across wireless bursty networks (PhD, University of Ulster, 2010).  Thesis submission ID 758, last updated

Julie Patricia Sutton, "The invisible handshake": An investigation of free musical improvisation as a form of conversation (PhD, University of Ulster, 2001).  Thesis submission ID 757, last updated

Patrick Denis Butler, By popular demand: Marketing change in the arts (DPhil, University of Ulster, 2000).  Thesis submission ID 756, last updated

Paul Maguire, Conditions of possibility: Changes in popular music culture and the development of Country & Irish music (PhD, University of Ulster, 2012).  Thesis submission ID 755, last updated

Richard Graham, Expansion of electronic guitar performance practice through the application and development of interactive digital music systems (PhD, University of Ulster, 2012).  Thesis submission ID 754, last updated

Mark McKnight, Contemporary jazz guitar performance: perspectives on the development of improvisational language (PhD, University of Ulster, 2012).  Thesis submission ID 753, last updated

Christopher Norby, Maintaining pleasure in composition; personal and philosophical issues affecting my work as a composer (PhD, University of Ulster, 2011).  Thesis submission ID 752, last updated

Yvonne Slevin, A music based language skills intervention for children with specific speech and language disorder (MEd, St Patrick’s College, Dublin City University, 2013).  Thesis submission ID 751, last updated

Emma Loughnane, Portfolio of six original works (MA, Waterford Institute of Technology, 2000).  Thesis submission ID 750, last updated

Nora Kavanagh, 'Regionalism' in pre-Revival Irish Traditional Flute Performing Styles: Fact or Fiction? (MA, Waterford Institute of Technology, 2001).  Thesis submission ID 749, last updated

Catherine Mulvihill, The performer as art figure 1919-1928 (MA, Waterford Institute of Technology, 2004).  Thesis submission ID 748, last updated

Eibhlin Griffin, Jean Sibelius & Rotational Form: Structural Aspects of Tapiola (MA, Waterford Institute of Technology, 2004).  Thesis submission ID 747, last updated