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John Gibson, Composition (MA, Cork Institute of Technology, School of Music, 2006).  Thesis submission ID 625, last updated 04/12/2013 - 08:40
 

Tomas McCarthy, Conducting (MA, Cork Institute of Technology, School of Music, 2005).  Thesis submission ID 624, last updated 04/12/2013 - 08:38
 

Candace Whitehead, Conducting (MA, Cork Institute of Technology, School of Music, 2005).  Thesis submission ID 623, last updated 04/12/2013 - 08:37
 

Terry McCarthy, Conducting (MA, Cork Institute of Technology, School of Music, 2004).  Thesis submission ID 622, last updated 04/12/2013 - 08:35
 

Willie Hughes, Cultural collision and the emergence of new musical traditions (MA, Dublin City University, 2000).  Thesis submission ID 621, last updated 04/12/2013 - 08:33
 

Marie Girardeau, L’Uilleann pipes, cornemuse Irlandaise: Caractéristiques de jeu et répertoire (MA, Université de Poitiers, 2004).  Thesis submission ID 620, last updated 10/07/2013 - 12:22
 

Helen O’Shea, Foreign bodies in the river of sound: Seeking identity and Irish traditional music (PhD, Victoria University, Melbourne, 2005).  Thesis submission ID 619, last updated 10/07/2013 - 12:17
 

Fintan Vallely, Flute routes to 21st century Ireland: The history, aesthetics and social dynamics of three centuries of recreational and political music (PhD, University College Dublin, 2004).  Thesis submission ID 618, last updated 10/07/2013 - 12:12
 

James O’Brien Moran, Paddy Conneely - the Galway piper: The legacy of a pre-famine folk musician (PhD, University of Limerick, 2006).  Thesis submission ID 617, last updated 10/07/2013 - 12:07
 

Dara McGarrigle, Irish women and traditional music (MA, University College Dublin, 2006).  Thesis submission ID 616, last updated 10/07/2013 - 12:03
 

Deborah L. Rapuano, Every drop hollows the stone : An ethnographic study of traditional Irish music pub sessions (PhD, Loyola University Chicago, 2005).  Thesis submission ID 615, last updated 10/07/2013 - 11:59
 

John Moulden, The printed ballad in Ireland: A guide to the popular printing of songs in Ireland 1760–1920 (PhD, NUI Galway, 2006).  Thesis submission ID 614, last updated 10/07/2013 - 11:54
 

Jerry Kerlin, The transmission of song among the New York Irish: Teaching, learning, and Irish sensibility (PhD, New York University, 2005).  Thesis submission ID 613, last updated 10/07/2013 - 11:45
 

Sheaukang Hew, Irish music in central Oklahoma: An ethnographic study (Doctor of Musical Arts, University of Oklahoma, 2006).  Thesis submission ID 612, last updated 10/07/2013 - 11:39
 

Michael D. Nicholsen, ‘Auld sod’ and new turf: Entertainment, nationalism, and identity in the Irish traditional music community of Chicago, 1868–1999 (PhD, Loyola University Chicago, 2007).  Thesis submission ID 611, last updated 10/07/2013 - 11:34
 

Kieran Patrick Brown, The political use of song lyric and verse in Irish nationalism 1900–1916 (MA, California State University, 2008).  Thesis submission ID 610, last updated 10/07/2013 - 11:23
 

John Bates, Mining for gold: A usability study of the Irish Traditional Music Archive and interactive music archive access system (MA, University College Dublin, 2008).  Thesis submission ID 609, last updated 10/07/2013 - 11:20
 

Leah Clarke, A critical edition of manuscripts NLI mss 7259–60 from the Henry P. Hudson collection (BA, Waterford Institute of Technology, 2008).  Thesis submission ID 608, last updated 10/07/2013 - 11:14
 

Aisling Connolly, RTÉ Sound Archives: A story untold (MA, University College Dublin, 2010).  Thesis submission ID 607, last updated 10/07/2013 - 11:02
 

Donna Thurston, Irish music in Wellington: A study of a local music community (MA, Other, 2010).  Thesis submission ID 606, last updated 10/07/2013 - 10:52
 

Dan Milner, The coalesence of the American popular song idiom: New York, 1820 (MA, Other, 2009).  Thesis submission ID 605, last updated 10/07/2013 - 10:49
 

A. Trotter, Tap dance : The lost art form regained (BA, Other, 2010).  Thesis submission ID 604, last updated 10/07/2013 - 10:44
 

Scott Spencer, The piper calls the tune: How uilleann bagpipers averted obsolescence through technology, networks and community (PhD, New York University, 2010).  Thesis submission ID 603, last updated 10/07/2013 - 10:39
 

Roxanne O’Connell, The golden age of Irish music: The cultural impact of 78 rpm recordings in Ireland and Irish America 1900–1960 (PhD, Salve Regina University, Newport, Rhode Island, 2010).  Thesis submission ID 602, last updated 10/07/2013 - 10:34
 

Stacie Lee Rossow, The choral music of the Irish composer Michael McGlynn (Doctor of Musical Arts, University of Miami, 2010).  Thesis submission ID 601, last updated 10/07/2013 - 10:03