Found: 195 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Gemma O’Herlihy, The piano music of Howard Ferguson (MA, NUI Maynooth, 2001).  Thesis submission ID 702, last updated
 

Charles O’Connor, The Willis organs in Ireland (MA, NUI Maynooth, 2001).  Thesis submission ID 701, last updated
 

Caitriona McEniry, The piano music of Charles Tomlinson Griffes (MA, NUI Maynooth, 2001).  Thesis submission ID 700, last updated
 

Miranda Linden, The clarinet trio in contemporary Irish chamber music: A study of eight selected compositions (MA, NUI Maynooth, 2001).  Thesis submission ID 699, last updated
 

Derek Anthony Kelly, Jean Barraqué and Le Temps Restitué (MA, NUI Maynooth, 2001).  Thesis submission ID 698, last updated
 

Deirdre Dolan, The piano ballades of Fryderyk Chopin and Johannes Brahms (MA, NUI Maynooth, 2001).  Thesis submission ID 697, last updated
 

James Byrne, Structural elements in the chamber music of Maurice Ravel (1875-1937) (MA, NUI Maynooth, 2001).  Thesis submission ID 696, last updated
 

David T. Stalling, An exploration of spatial aspects of composition in 20th century music (MA, NUI Maynooth, 2002).  Thesis submission ID 695, last updated
 

Conal Rae, Casticismo, Joaquin Rodrigo, and the Spanish contribution to European music, 1814-1954 (MA, NUI Maynooth, 2002).  Thesis submission ID 694, last updated
 

Clíona McDonough, The history of the Stabat mater dolorosa, with a critical analysis of the Stabat mater by Gioachino Rossini (MA, NUI Maynooth, 2002).  Thesis submission ID 693, last updated
 

Sinéad Dooley, Rimsky-Korsakov and the legend of the invisible city of Kitezh (MA, NUI Maynooth, 2002).  Thesis submission ID 692, last updated
 

David M. Curran, Totally natural: Staged authenticity, art and a requirement for perfect details in the music industry (MA, NUI Maynooth, 2002).  Thesis submission ID 691, last updated
 

Brian Quigley, The music of Barry Guy (MA, NUI Maynooth, 2003).  Thesis submission ID 690, last updated
 

Méabh O’Reilly, The aesthetics and compositional methods of Luciano Berio: An exploration of the music and text of Laborintus II (MA, NUI Maynooth, 2003).  Thesis submission ID 689, last updated
 

Margaret McCann, The piano music of William Vincent Wallace (1812-1865) (MA, NUI Maynooth, 2003).  Thesis submission ID 687, last updated
 

Gráinne Kyne, The treatment of popular Irish music in eighteenth century Dublin (MA, NUI Maynooth, 2003).  Thesis submission ID 686, last updated
 

Nuala Kavanagh, The development of the Dublin music print trade: 1686-c1800 (MA, NUI Maynooth, 2003).  Thesis submission ID 685, last updated
 

Stephen Mullen, Creating new musical works by Markov analysing existing styles of music and applying this to various forms (MA, NUI Maynooth, 2004).  Thesis submission ID 684, last updated
 

Aonghus Lynch, The random music generator (MA, NUI Maynooth, 2004).  Thesis submission ID 683, last updated
 

Clare Wilson, Debussy the symbolist: A semiotic perspective (MA, NUI Maynooth, 2005).  Thesis submission ID 682, last updated
 

Bernie Sherlock, A history of conducting with a critique of literature on the development of the fundamentals of conducting technique (MA, NUI Maynooth, 2005).  Thesis submission ID 681, last updated
 

Simon Schampijer, Real-time audio visualisation in Csound5: Opcodes for time- and frequency-domain representations (MA, NUI Maynooth, 2005).  Thesis submission ID 680, last updated
 

John Ringwood, Algorithmic Irish music composition using deterministic and stochastic methods (MA, NUI Maynooth, 2005).  Thesis submission ID 679, last updated
 

Alison Reynolds, The development of technology and contribution of psychoacoustics to enchance sound design and distribution in film (MA, NUI Maynooth, 2005).  Thesis submission ID 678, last updated
 

Frank Quinn, An implementation of a real-time audio preview for the Audio Instrument Development Environment (AIDE) (MA, NUI Maynooth, 2005).  Thesis submission ID 677, last updated