Found: 19 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Lauren Farquharson, The British College of Accordionists promotion of the accordion in 20th-century Britain (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 929, last updated
 

Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014).  Thesis submission ID 932, last updated
 

Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (MA, Dundalk Institute of Technology, 2021).  Thesis submission ID 931, last updated
 

Sylvia Crawford, Towards the Potential Role of a Neglected Eighteenth-Century Harper in Cultural Tourism in the Oriel Region (MA, Dundalk Institute of Technology, 2019).  Thesis submission ID 900, last updated
 

Sean Mc Elwain, Opening up the canon of Irish Traditional music - documentation and analysis of the music, style, repertoire of the Sliabh Beagh region of North Monaghan/East Fermanagh (PhD, Dundalk Institute of Technology, in progress).  Thesis submission ID 421, last updated
 

Mark Bollard, Process and Transformation: Creative Applications of Digital Exemplars in the Music of Aloys Fleischmann (1910–1992) (MA, Dundalk Institute of Technology, 2016).  Thesis submission ID 786, last updated
 

Sarah M. Burn, A critical performing edition of selected works by A.J Potter (1918 - 1980) (MA, Dundalk Institute of Technology, 2008).  Thesis submission ID 642, last updated
 

Bernadette Balfe, A comparative study of the clarinet in the works of Elizabeth Maconcy and Nicola LeFanu (MA, Dundalk Institute of Technology, 2007).  Thesis submission ID 641, last updated
 

Siubhain O Dubhain, Ceithre ceoldramai: An Lochlannach samhradh na gCruitiri an Iarlais Mozart in Eirinn (MA, Dundalk Institute of Technology, 2007).  Thesis submission ID 640, last updated
 

Marcus Howard, Rockonomics: A proposed music marketing model for County Louth (Other, Dundalk Institute of Technology, 2007).  Thesis submission ID 635, last updated
 

Gerard Michael O’Connor, Luke Donnellan's Dance Music of Oriel: A graphic and aural interpretation, realisation and critical representation of the work of an early-twentieth century music collector (MA, Dundalk Institute of Technology, 2008).  Thesis submission ID 634, last updated
 

Ciara Armstrong, Giacomo Puccini: His contribution to opera with particular reference to Il Trittico ( A trio of one act operas – Il Tabarro, Suor Angelica and Gianni Schicchi) (Other, Dundalk Institute of Technology, 1995).  Thesis submission ID 545, last updated
 

Brian Casley, Innovation in Irish traditional music. A study of group playing and the impact of technology (BA, Dundalk Institute of Technology, 2012).  Thesis submission ID 847, last updated
 

Brian Casley, The role of the mandolin in Irish traditional music (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 453, last updated
 

Éamonn De Barra, A Critical Analysis of Irish Traditional Flute Playing (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 452, last updated
 

Conor Ward, The Fiddle Tradition of Thomas Kernan: An analysis of the transmission of a fiddle style in oral and written tradition in South Leitrim and Longford (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 451, last updated
 

Cormac Crawley, Envirosoundometer: For Wind, Rain and Sunlight. The Development of an Interactive Audio Installation (MA, Dundalk Institute of Technology, 2009).  Thesis submission ID 843, last updated
 

Jimmy Brennan, Louis Stewart and the Jazz Guitar in Ireland: A Critical Evaluation (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 411, last updated
 

Aylish Kerrigan, Arnold Schoenberg’s Opus 15 Das Buch der hängenden Gärten in Context: The Singer’s Perspective (PhD, Dundalk Institute of Technology, 2009).  Thesis submission ID 360, last updated