Found: 813 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Tommy Fegan, Irish Travellers and Irish Traditional Music (MA, Dundalk Institute of Technology, 2014).  Thesis submission ID 932, last updated
 

Stephanie Caffrey, Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs (MA, Dundalk Institute of Technology, 2021).  Thesis submission ID 931, last updated
 

Mary Pedder Daly , The relevance and effect of Musicam Sacram, Vatican II, in present-day Irish Catholic Liturgies (DMusPerf, Royal Irish Academy of Music, in progress).  Thesis submission ID 928, last updated
 

Redmond O'Toole, Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics (DMusPerf, Royal Irish Academy of Music, 2020).  Thesis submission ID 925, last updated
 

Horng Kent Tham, Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959 (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 916, last updated
 

Bernie Sherlock , Contemporary Irish choral music and an outline of its historical origins (DMusPerf, Royal Irish Academy of Music, 2018).  Thesis submission ID 917, last updated
 

Gavan Ring, Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 424, last updated
 

Alexander Bernstein, An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis (DMusPerf, Royal Irish Academy of Music, 2020).  Thesis submission ID 922, last updated
 

William Lees, Gerald Finzi’s Violin Concerto: A Performer’s Perspective (DMusPerf, Royal Irish Academy of Music, 2019).  Thesis submission ID 915, last updated
 

Fionnuala Moynihan, Considerations for a Modern Performance of John Field’s Piano Sonata op.1 no.1 in E flat major (DMusPerf, Royal Irish Academy of Music, 2009).  Thesis submission ID 361, last updated
 

Annette Cleary, The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance (DMusPerf, Royal Irish Academy of Music, 2010).  Thesis submission ID 367, last updated
 

Orla Flanagan, Music, Text and Context in Felix Mendelssohn's Choral Works for Berlin Cathedral (DMusPerf, Royal Irish Academy of Music, 2012).  Thesis submission ID 438, last updated
 

Dimitri Papadimitriou, An exploration of the key characteristics in Beethoven's Piano Sonatas and selected instrumental repertoire (DMusPerf, Royal Irish Academy of Music, 2013).  Thesis submission ID 455, last updated
 

Desmond Earley, French Basso Continuo Performance Technique: a study of the arpeggiated gesture in the prélude non mesuré (c1650-c1720) (DMusPerf, Royal Irish Academy of Music, 2012).  Thesis submission ID 454, last updated
 

Archie Chen, Towards a Historically Informed Performance of Chopin’s Op. 10 Études (DMusPerf, Royal Irish Academy of Music, 2016).  Thesis submission ID 463, last updated
 

Imelda Theresa Drumm, Roles for Leading Ladies: Investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing (DMusPerf, Royal Irish Academy of Music, 2017).  Thesis submission ID 891, last updated
 

Cathal Mullan, Poetry Into Song: Word-Music Relations in Settings of Goethe's Faust by Wagner and his Contemporaries (1832-1840) (PhD, Maynooth University, 2018).  Thesis submission ID 914, last updated
 

Hannah Millington, Sacred, Secular, and Suffragist: Reclaiming Ethel Smyth's Vocal Works for the Twenty-First Century (PhD, Dublin City University, in progress).  Thesis submission ID 906, last updated
 

Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018).  Thesis submission ID 903, last updated
 

Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018).  Thesis submission ID 902, last updated
 

Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014).  Thesis submission ID 413, last updated
 

Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016).  Thesis submission ID 901, last updated
 

Marie-Charline Foccroulle, Final Thoughts? Interpretation of the First Movements of Beethoven’s and Schubert’s Last Three Piano Sonatas (DMus, Royal Irish Academy of Music, 2017).  Thesis submission ID 442, last updated
 

Sylvia Crawford, Towards the Potential Role of a Neglected Eighteenth-Century Harper in Cultural Tourism in the Oriel Region (MA, Dundalk Institute of Technology, 2019).  Thesis submission ID 900, last updated
 

Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011).  Thesis submission ID 133, last updated