Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Keith Hennigan, Interactive Musical Release Formats (PhD, Trinity College Dublin, in progress).  Thesis submission ID 420, last updated
 

Róisín Blunnie, Active Music-Making and Experience-Based Learning: Recommendations for Second-Level Music Education in Ireland based on Hungarian Practice (MA, Liszt Academy, Kecskemét, Hungary, 2008).  Thesis submission ID 840, last updated
 

Róisín Blunnie, The Early Choral Works of Edward Elgar (1857-1934) in the Context of Late-Victorian British Idealism (PhD, Trinity College Dublin, 2013).  Thesis submission ID 419, last updated
 

Jarlath Jennings, Can Technology Help Keep Opera Alive and Relevent to 21st Century Audiences in Ireland (MLitt, Trinity College Dublin, 2011).  Thesis submission ID 418, last updated
 

Seán Doherty, Solfaing: The Evolution of Four-Syllable Solmization (PhD, Trinity College Dublin, in progress).  Thesis submission ID 417, last updated
 

Susan McCormick, The Choralbuch of Johann Christian Kittel: Its significance in our understanding of Bach's legacy (MA, Queen’s University Belfast, 2009).  Thesis submission ID 839, last updated
 

Susan McCormick, Johann Christian Kittel and the Long Overlooked Multiple Bass Chorale Tradition (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 416, last updated
 

Rachel McQueen, G.F. Handel and Charles Jennens: The Collaboration (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 415, last updated
 

Patricia Clark, Varied Approaches: A study of variation in Irish Traditional Music with examples from the playing of Siobhán Peoples and John Carty (MA, in progress).  Thesis submission ID 838, last updated
 

Patricia Clark, The effect of multi-instrumentalism on the formation of variations in Irish traditional music (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 414, last updated
 

Jimmy Brennan, Louis Stewart and the Jazz Guitar in Ireland: A Critical Evaluation (MA, Dundalk Institute of Technology, in progress).  Thesis submission ID 411, last updated
 

Kate Guelke, Postcolonial Stagings of Opera (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 410, last updated
 

Conor Caldwell, The Dance Music of John Doherty (PhD, Queen’s University Belfast, in progress).  Thesis submission ID 409, last updated
 

Dave Flynn, Traditional Irish Music: A Path to New Music (PhD, Dublin Institute of Technology, 2010).  Thesis submission ID 408, last updated
 

David Kearney, Towards a regional understanding of Irish traditional music (PhD, University College Cork, 2010).  Thesis submission ID 407, last updated
 

Andrew Power, Agustin Barrios Mangore: Composer, Innovator, Teacher (Postgraduate Diploma, Dublin Institute of Technology, 2008).  Thesis submission ID 406, last updated
 

Sarah Power, The role of the male and female chorus in Benjamin Britten's 'The Rape of Lucretia' (Other, Dublin Institute of Technology, 2004).  Thesis submission ID 405, last updated
 

Sean Shanagher, MP3 and the emerging online music industry (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 404, last updated
 

Marta Siermantowska, The development of the accordion as a jazz instrument (Other, Dublin Institute of Technology, 2008).  Thesis submission ID 403, last updated
 

Owen Tighe, The automation and synchronisation of a multi-track digital mixer environment, using midi messages and a sequencing package (MA, Dublin Institute of Technology, 2000).  Thesis submission ID 402, last updated
 

Brian Vaughan, Masters Composition: From Tomb to Womb (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 401, last updated
 

John Walsh, The history, development and playing techniques of the baroque trumpet (1600-1750) (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 400, last updated
 

Toni Walsh, Performance issues in Schumann's setting of Goethe's four 'Mignon' Songs (Other, Dublin Institute of Technology, 2007).  Thesis submission ID 399, last updated
 

Toni Walsh, Poverty & access to instrumental/vocal tuition. Is music education for everyone? An exploration of the factors influencing the accessibility of instrumental/vocal training (Other, Dublin Institute of Technology, 1997).  Thesis submission ID 836, last updated
 

Robert W. Yeo, Busoni's Aesthetic and the Development of a Modern Compositional Language (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 398, last updated