Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Enter keywords, names, or other terms in the filter below to search the whole database. Alternatively, list theses according to particular institutions, or degree qualification, or general specialism.
Rebecca
Shannon, In the Shadow of Genius: 'Borrowing' and the Anxiety of Influence in Musicology (MA, University College Dublin, 2010). Thesis submission ID 372, last updatedIan
Maxwell, The Chamber Music of EJ Moeran (PhD, Durham University, in progress). Thesis submission ID 371, last updatedAoife
Sadlier, Arnold Schoenberg’s quest for a Jewish identity: between fantasy, illusion and reality (BMus, Cork Institute of Technology, School of Music, 2010). Thesis submission ID 370, last updatedSusan
Motherway, Mediating the Divide: The Globalisation of Irish Traditional Song Performance (PhD, University of Limerick, 2008). Thesis submission ID 369, last updatedCatherine
Heffron, The Reception of Czech Opera in Ireland (MA, NUI Maynooth, 2007). Thesis submission ID 368, last updatedGeorge
Jackson, Wagner Performance in the Twentieth Century: A Study of Tempo and ‘Expressive Gesture’ in Two Excerpts from Die Walküre (BA, Trinity College Dublin, 2009). Thesis submission ID 366, last updatedAngela
Moran, Sites of Diaspora: The Irish Music of Birmingham (PhD, University of Cambridge, 2011). Thesis submission ID 365, last updatedAngela
Moran, Representing the Black ‘Other’: Issues of Race and Gender in Screen Versions of Bizet's Carmen (MA, University College Dublin, 2007). Thesis submission ID 832, last updatedMary Louise
O Donnell, Custodians of Culture: A Social, Musicological and Cultural History of the Irish Harp and its Patronage from 1790-1840 (PhD, University of Limerick, in progress). Thesis submission ID 364, last updatedMary Louise
O Donnell, The Anglicisation of the Irish Harp: A History of the Irish Harp from 1800 to the Present Day (MA, University College Dublin, 1999). Thesis submission ID 831, last updatedOrlene Denice
McMahon, Challenging Conventions: An Audiovisual Collaboration from the 'First Wave' of Irish Film (MA, University College Cork, 2006). Thesis submission ID 362, last updatedAylish
Kerrigan, Arnold Schoenberg’s Opus 15 Das Buch der hängenden Gärten in Context: The Singer’s Perspective (PhD, Dundalk Institute of Technology, 2009). Thesis submission ID 360, last updatedNaomi
Dunleavy, The Contribution and Influence of Continental Violin Players on Musical Ireland from 1948 to 2008 (MA, NUI Maynooth, 2008). Thesis submission ID 359, last updatedPatrick
FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003). Thesis submission ID 358, last updatedHelmut
Werner, The Background, Content and Purpose of the Dallis Lute Book (MA, NUI Maynooth, 2000). Thesis submission ID 357, last updatedDavid
MacKenzie, A Survey of Solo Violin Music by Contemporary Composers (MA, NUI Maynooth, 2001). Thesis submission ID 356, last updatedGeraldine
Malone-Brady, The Venetian Baroque Oboe Concerto: a study of the oboe concertos of Albinoni and Vivaldi (MA, NUI Maynooth, 2001). Thesis submission ID 355, last updatedAlan
Grundy, Rediscovered Nineteenth-Century Guitar Compositions (MA, NUI Maynooth, 2002). Thesis submission ID 354, last updatedSue
Brady, The Songs of Sir John Andrew Stevenson (MA, NUI Maynooth, 2003). Thesis submission ID 353, last updatedPatrick
FitzGerald, The Violin Compositions of Michele Esposito (MA, NUI Maynooth, 2003). Thesis submission ID 352, last updatedMarie
Comiskey, The Evolution of the Piccolo as an Orchestral Instrument (MA, NUI Maynooth, 2005). Thesis submission ID 351, last updatedRoisín
Nic Athlaoich, Bach’s Solo Cello Suite No. 1: The Performance and Interpretive Value of Schenkerian Analysis (MA, St Patrick’s College, Dublin City University, 2007). Thesis submission ID 350, last updatedAlison N.
Bourke, Where is my Music History?: The Absence of Female Composers from University Curricula and the Possible Effects on Potential Female Composers (MA, NUI Maynooth, 2002). Thesis submission ID 349, last updatedLaoise
Yates, The Recorder at the Tudor Court (MA, NUI Maynooth, 2005). Thesis submission ID 348, last updatedMartin
Hanley, The Piano: Its Context and Impact on Dublin's Musical Life from 1740 to 1830 (MA, NUI Maynooth, 2007). Thesis submission ID 347, last updated