Found: 820 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Emma Scanlon, Pianism Reimagined: an analytical inquiry of left-hand piano through the career and commissions of Paul Wittgenstein (PhD, Maynooth University, 2018).  Thesis submission ID 903, last updated
 

Shane Byrne, Portfolio of Electroacoustic Compositions with Commentaries (PhD, Maynooth University, 2018).  Thesis submission ID 902, last updated
 

Ciaran Kennedy, 'A desert for the arts'? Orchestral provision in Northern Ireland, 1945-1981 (PhD, Queen’s University Belfast, 2014).  Thesis submission ID 413, last updated
 

Brian Connolly, Playing the Ear: Non-Linearities of the Inner Ear and their Creative Potential (PhD, Maynooth University, 2016).  Thesis submission ID 901, last updated
 

Marie-Charline Foccroulle, Final Thoughts? Interpretation of the First Movements of Beethoven’s and Schubert’s Last Three Piano Sonatas (DMus, Royal Irish Academy of Music, 2017).  Thesis submission ID 442, last updated
 

Sylvia Crawford, Towards the Potential Role of a Neglected Eighteenth-Century Harper in Cultural Tourism in the Oriel Region (MA, Dundalk Institute of Technology, 2019).  Thesis submission ID 900, last updated
 

Deirdre Ní Chonghaile, ‘ag teacht le cuan’: Irish traditional music and the Aran Islands (PhD, University College Cork, 2011).  Thesis submission ID 133, last updated
 

David Thomas Cotter, Collaborative Creativity in Classical Guitar Performance: ‘Reassessing the Role of Accompanist’ (PhD, University of Cambridge, in progress).  Thesis submission ID 896, last updated
 

Mark Keane, Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615) (DMus, Royal Irish Academy of Music, 2019).  Thesis submission ID 897, last updated
 

Rory James Corbett, A Self-Reflexive Clawhammer Banjo-ology (MA, University College Cork, 2018).  Thesis submission ID 894, last updated
 

Michael Lee, “Il vero di tante meraviglie”: Tasso’s Armida and the power of fantasy in late seventeenth-century opera (PhD, Queen’s University Belfast, 2013).  Thesis submission ID 373, last updated
 

Mel Mercier, The Mescher bones playing tradition : syncopations on the American landscape (PhD, University of Limerick, 2011).  Thesis submission ID 893, last updated
 

Eamon O Doherty, Measuring Expressive Music Performances: a Performance Science Model using Symbolic Approximation (PhD, Dublin Institute of Technology, 2019).  Thesis submission ID 890, last updated
 

Gwendolyn Masin, Violin Teaching in the New Millennium, In Search of the Lost Instructions of Great Masters — An Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved — or — Remembering the Future of Violin Performance (PhD, Trinity College Dublin, 2011).  Thesis submission ID 422, last updated
 

Robin Renwick, SourceNode: A Software Application for Network Music Performance (MSc, Cork Institute of Technology, School of Music, 2011).  Thesis submission ID 837, last updated
 

Anja Bunzel, Johanna Kinkel's Lieder Compositions as a Socio-Political and Cultural Mirror of Her Time: A Reflective Interpretation (PhD, NUI Maynooth, 2016).  Thesis submission ID 763, last updated
 

Robin Renwick, Topologies for Network Music (PhD, Queen’s University Belfast, 2017).  Thesis submission ID 885, last updated
 

Jean O'Reilly, An exploration of the benefits that group playing and performance provide for adult learners of musical instruments: a case study of the Gateway Orchestra in Wexford, Ireland (MA, Mary Immaculate College, University of Limerick, 2017).  Thesis submission ID 880, last updated
 

Ivan O'Connor, Investigating the attitudes, values and experiences of primary school teachers in middle and senior classes towards popular music (MA, Mary Immaculate College, University of Limerick, 2016).  Thesis submission ID 879, last updated
 

Ogun Morkoc, Radio music policies of Irish public service broadcasting: a comparison between 1930s and 2010s (MA, Mary Immaculate College, University of Limerick, 2016).  Thesis submission ID 878, last updated
 

Orla McEvoy, Musical routines: promoting positive behaviour, a sense of time and motivation for learning in an infant classroom (MA, Mary Immaculate College, University of Limerick, 2017).  Thesis submission ID 877, last updated
 

Stephen Massey, A qualitative enquiry exploring the expectations, needs and experiences of adults engaged in formal music education in Limerick City, Republic of Ireland (MA, Mary Immaculate College, University of Limerick, 2016).  Thesis submission ID 876, last updated
 

Saoirse Kennedy, A mixed methods approach to developing harmonic awareness: the pedagogy of learning and performing chord progressions in post primary education (MA, Mary Immaculate College, University of Limerick, 2015).  Thesis submission ID 875, last updated
 

Tyler Johnson, Exploring extracurricular musical activity: experiences of participation in higher education (MA, Mary Immaculate College, University of Limerick, 2016).  Thesis submission ID 874, last updated
 

Laura Hynes, Investigating the influence of the Suzuki method on the identity and motivation of its practitioners: an Irish-based case study (MA, Mary Immaculate College, University of Limerick, 2017).  Thesis submission ID 873, last updated