Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Claire Crehan, Robert Schumann’s piano cycles : a search for meaning (Other, Dublin Institute of Technology, 2010).  Thesis submission ID 525, last updated
 

Michaela Cunningham, The concertina style of Paddy Murphy (1913 -1992) and his influence on contemporary concertina styles (Other, Dublin Institute of Technology, 2012).  Thesis submission ID 524, last updated
 

Sinead Campbell Wallace, Music versus drama: The enigma of Verdi’s Violetta (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 523, last updated
 

Lioba Petrie, A study of the Suzuki Method (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 522, last updated
 

Siobhan Fanning, An investigation of the use of the DUET algorithm for the separation of musical signals (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 521, last updated
 

Ruth Reid, A study on vocal/instrumental teaching in primary schools and proposed recommendations for changes to the music curriculum (Other, Dublin Institute of Technology, 1996).  Thesis submission ID 520, last updated
 

Damian Evans, An investigation into the broken style of bass accompaniment in the context of the jazz piano trio from 1959 to 2007 (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 519, last updated
 

Daire Halpin, Catalogue of the vocal music of TC Kelly and critical edition of the original solo songs of TC Kelly (Other, Dublin Institute of Technology, 2004).  Thesis submission ID 518, last updated
 

Maria Greenan, Memorisation for today’s pianist: a practical approach (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 517, last updated
 

Paula Greenwood, ‘Meine seel erhebt den herren’: The message of salvation in J.S. Bach’s Cantata BWV 10 (Other, Dublin Institute of Technology, 2004).  Thesis submission ID 516, last updated
 

Peter Erdei, The string bass in twentieth century jazz: development and evolving function (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 515, last updated
 

Siobhan Kilkelly, Portrait of a pioneer: The organ music of Alexandre Pierre Francois Boely (Other, Dublin Institute of Technology, 2006).  Thesis submission ID 514, last updated
 

Kieran Hanrahan, The emergence and teaching of the tenor banjo in Irish traditional music (Other, Dublin Institute of Technology, 2011).  Thesis submission ID 513, last updated
 

Linley Hamilton, Jazz grammar: The application of linguistic devices for the beginning improviser (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 512, last updated
 

Laura Delaney, Bardic music of antiquity (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 511, last updated
 

Sarah Halpin, The classical Vienennese violone and its historical implications on modern performance practice with particular reference to the violone solos in Haydn’s symphonies (Other, Dublin Institute of Technology, 2010).  Thesis submission ID 510, last updated
 

Declan P. Devereux, Charles Lynch remembered: The story of the great Irish pianist (1906-1984) (Other, Dublin Institute of Technology, 2000).  Thesis submission ID 509, last updated
 

Ian Dakin, A French horn player’s physical response to virtual acoustic environments (Other, Dublin Institute of Technology, 2008).  Thesis submission ID 508, last updated
 

Roisin Doyle, A framework for the application of the Kodaly method (Other, Dublin Institute of Technology, 1998).  Thesis submission ID 507, last updated
 

Susan Doyle, New music for the flute (Other, Dublin Institute of Technology, 1991).  Thesis submission ID 506, last updated
 

Pavla Moore, The concept of Czechness in Czech national opera (Other, Dublin Institute of Technology, 2006).  Thesis submission ID 505, last updated
 

Katy Kelly, Vocal and performance issues in Mozart’s Exsulate, Jubilate (Other, Dublin Institute of Technology, 2007).  Thesis submission ID 504, last updated
 

Damien Kelly, Pushing the boundaries of popular music: progressive rock and the music of Dream Theatre (Other, Dublin Institute of Technology, 2010).  Thesis submission ID 503, last updated
 

Patrice Keegan, Louis Vierne: the last French romantic symphonist (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 502, last updated
 

Brian Kavanagh, Aspects of performance practice in the music of J.S. Bach (Other, Dublin Institute of Technology, 1991).  Thesis submission ID 501, last updated