Found: 819 thesis records, listed in most-recent order. Click on a thesis's title to display full details.
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Breandán Ó Nualltáin, Community authorship: An exploration of the copyright bargain in traditional Irish music (MA, University of Limerick, 2008).  Thesis submission ID 600, last updated
 

Tes Slominski, Music, gender, and the public sphere in twentieth-century Ireland (PhD, New York University, 2010).  Thesis submission ID 599, last updated
 

Doris Maul Fair, Billy's box: Material culture, musical idiom, and musicianship in Irish button accordion (PhD, Other, 2009).  Thesis submission ID 598, last updated
 

Breda McKinney, Song of Eoghan: The tradition of singing in Inishowen, Co. Donegal (MPhil, University College Cork, 2004).  Thesis submission ID 597, last updated
 

Máire Ní Chaoimh, Journey into tradition: A social history of the Irish button accordion (PhD, University of Limerick, 2010).  Thesis submission ID 596, last updated
 

Sandra Joyce, Transforming Carolan (PhD, University of Limerick, 2012).  Thesis submission ID 594, last updated
 

Julie Haynes, Nineteenth-century nationalist ballads: Constructs of Irishness in the nineteenth century and today (BA, University of Manchester, 2011).  Thesis submission ID 593, last updated
 

Crystal N. Galyean, Hanging the harp on the willow tree (MA, Other, 2012).  Thesis submission ID 592, last updated
 

Erica Shaw, What would you do if I sang out of tune ...? A qualitative study of music performance anxiety in professional Irish musicians (MA, Other, 2012).  Thesis submission ID 591, last updated
 

Eoghan Neff, At the vanguard of antiquity: Seeking the avant-garde of the Irish fiddle in C20th performance practices (PhD, Other, 2012).  Thesis submission ID 590, last updated
 

Christopher MacAuliffe, The forgotten voice: The Richard Henebry (1863-1916) collection of Irish music (MA, Waterford Institute of Technology, 2012).  Thesis submission ID 589, last updated
 

Daniel O’Neill, Music composition portfolio (MPhil, Dublin Institute of Technology, 2011).  Thesis submission ID 588, last updated
 

Mark Leddy, Blind single channel sound source separation (MPhil, Dublin Institute of Technology, 2010).  Thesis submission ID 587, last updated
 

Joseph McKay, Automatic musical instrument identification (MPhil, Dublin Institute of Technology, 2011).  Thesis submission ID 586, last updated
 

Jane Charles, Playing technique and violin timbre: Detecting bad playing (PhD, Dublin Institute of Technology, 2010).  Thesis submission ID 585, last updated
 

Alan O Cinneide, Phase-distortion-robust-voice-source analysis (PhD, Dublin Institute of Technology, 2012).  Thesis submission ID 584, last updated
 

Gary Sinclair, Spaces, emotion and heavy metal subcultural control: music consumption and civilising processes (PhD, Dublin Institute of Technology, 2013).  Thesis submission ID 583, last updated
 

David Dorran, Audio time-scale modification (PhD, Dublin Institute of Technology, 2005).  Thesis submission ID 582, last updated
 

Sean Mac Earline, Microtonality as an expressive device: An approach for the contemporary saxophonist (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 581, last updated
 

Mary O’Sullivan, The contribution of Jules Massenet to French romantic opera (Other, Dublin Institute of Technology, 1995).  Thesis submission ID 580, last updated
 

Mark Anthony McGrath, Silvius Leopold Weiss Sonata 11 for Lute: A performance edition and audio recording on 13 string guitar (Other, Dublin Institute of Technology, 2009).  Thesis submission ID 579, last updated
 

Denise Kelly McDonnell, The French harp school (1825-1912): Harp construction and technique (Other, Dublin Institute of Technology, 2007).  Thesis submission ID 578, last updated
 

James Mackin, Maintaining the groove: A drummer's insight (Other, Dublin Institute of Technology, 2010).  Thesis submission ID 577, last updated
 

J McMonagle, The creation of a software synthesizer plug-in and interface (MA, Dublin Institute of Technology, 2003).  Thesis submission ID 576, last updated