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Senan Furlong, Officium S. Patricii: The medieval office of Saint Patrick (MLitt, NUI Maynooth, 2008).  Thesis submission ID 650, last updated 04/12/2013 - 12:38
 

Catherine M. Byrne, Contradictions and synthesis in the late works of Béla Bartók (MLitt, NUI Maynooth, 2009).  Thesis submission ID 649, last updated 04/12/2013 - 12:23
 

David Jo Murphy, Hate couture: Subcultural fundamentalism and the Serbian black metal music scene (PhD, NUI Maynooth, 2011).  Thesis submission ID 648, last updated 04/12/2013 - 12:01
 

Piaras Hoban, Portfolio of compositions with commentaries (PhD, NUI Maynooth, 2011).  Thesis submission ID 647, last updated 04/12/2013 - 11:55
 

Eoin Smith, Portfolio of compositions with commentaries (PhD, NUI Maynooth, 2012).  Thesis submission ID 646, last updated 04/12/2013 - 11:46
 

Louise Mary O’Sullivan, Selected performance and compositions of the Theresienstadt Ghetto (1941-1945) : An examination of music, memory and survivance (MLitt, NUI Maynooth, 2012).  Thesis submission ID 645, last updated 04/12/2013 - 11:39
 

John Glover, Sinusoids, noise and transients : Spectral analysis, feature detection and real-time transformations of audio signals for musical applications (PhD, NUI Maynooth, 2012).  Thesis submission ID 644, last updated 04/12/2013 - 10:49
 

Brian Bridges, Towards a perceptually-grounded theory of microtonality: Issues in sonority, scale construction and auditory perception and cognition (PhD, NUI Maynooth, 2012).  Thesis submission ID 643, last updated 04/12/2013 - 10:40
 

Sarah M. Burn, A critical performing edition of selected works by A.J Potter (1918 - 1980) (MA, Dundalk Institute of Technology, 2008).  Thesis submission ID 642, last updated 04/12/2013 - 10:11
 

Bernadette Balfe, A comparative study of the clarinet in the works of Elizabeth Maconcy and Nicola LeFanu (MA, Dundalk Institute of Technology, 2007).  Thesis submission ID 641, last updated 04/12/2013 - 10:04
 

Siubhain O Dubhain, Ceithre ceoldramai: An Lochlannach samhradh na gCruitiri an Iarlais Mozart in Eirinn (MA, Dundalk Institute of Technology, 2007).  Thesis submission ID 640, last updated 04/12/2013 - 09:56
 

Patrick Joseph Garvey, A VST plugin for emulation of 'automatic double tracking' (Other, Cork Institute of Technology, School of Music, 2013).  Thesis submission ID 639, last updated 04/12/2013 - 09:54
 

Coral O’Sullivan, The commissioned works of the Contemporary Music Seminars of the Cork International Choral Festival 1962–2012: An annotated catalogue (MA, Cork Institute of Technology, School of Music, 2013).  Thesis submission ID 638, last updated 04/12/2013 - 09:53
 

Dermot McDermott, Composition portfolio with accompanying comments and analysis (MPhil, Dublin Institute of Technology, 2013).  Thesis submission ID 637, last updated 04/12/2013 - 09:52
 

Sam Perkin, A collection of compositions (MA, Cork Institute of Technology, School of Music, 2012).  Thesis submission ID 636, last updated 04/12/2013 - 09:49
 

Marcus Howard, Rockonomics: A proposed music marketing model for County Louth (Other, Dundalk Institute of Technology, 2007).  Thesis submission ID 635, last updated 04/12/2013 - 09:46
 

Gerard Michael O’Connor, Luke Donnellan's Dance Music of Oriel: A graphic and aural interpretation, realisation and critical representation of the work of an early-twentieth century music collector (MA, Dundalk Institute of Technology, 2008).  Thesis submission ID 634, last updated 04/12/2013 - 09:39
 

Patricia McCarthy, The management, growth and development of the Suzuki method of string pedagogy at Cork School of Music from 1969-1999 (Other, Cork Institute of Technology, School of Music, 2000).  Thesis submission ID 633, last updated 04/12/2013 - 09:21
 

Brian Leach, The building of an analogue voltage-controlled modular musical synthesiser and the exploration of its mode of sound production (Other, Cork Institute of Technology, School of Music, 2012).  Thesis submission ID 632, last updated 04/12/2013 - 09:05
 

Brian Casey, Art, technology and the future of musicianship: Questions of balance between live performance and the recorded medium in popular music (MA, Cork Institute of Technology, School of Music, 2011).  Thesis submission ID 631, last updated 04/12/2013 - 08:54
 

Stephen Collender, Exploring the aesthetic of spatial motion with binaural synthesis (Other, Cork Institute of Technology, School of Music, 2011).  Thesis submission ID 630, last updated 04/12/2013 - 08:52
 

Keith C. Clancy, Digital manuscript book: Investigation into technologies and features for the design of a purpose built digital music manuscript reader (Other, Cork Institute of Technology, School of Music, 2010).  Thesis submission ID 629, last updated 04/12/2013 - 08:48
 

Ron Healy, Digital audio watermarking for broadcast monitoring and content identification (Other, NUI Maynooth, 2010).  Thesis submission ID 628, last updated 04/12/2013 - 08:47
 

Ronan Kelly, Automatic transcription of polyphonic music using a note masking technique (Other, University of Limerick, 2010).  Thesis submission ID 627, last updated 04/12/2013 - 08:45
 

Ailie Blunnie, Passion and intellect in the music of Elizabeth Maconchy DBE (1907–1994) (MLitt, NUI Maynooth, 2010).  Thesis submission ID 626, last updated 04/12/2013 - 08:42